Theatre & Opera Magazine
LATEST ARTICLES BY PAPERBLOGGERS
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Opera Review: Back to the Tables
The Met revives its "Las Vegas" Rigoletto. by Paul J. Pelkonen Rigoletto (Dmitri Hvorostovsky, right) explains the facts of life to Gilda (Irina Lungu) in the... Read more
The 12 November 2013 by Superconductor
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Opera Review: The Deep, Dark Truthful Mirror
Die Frau ohne Schatten (finally) comes back to the Met. by Paul J. Pelkonen Scenes from a marriage: The Empress (Anna Schwanewilms, right) fights to save... Read more
The 08 November 2013 by Superconductor
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Review: Haunting Julia (Eclipse Theatre)
Eclipse Theatre has had a successful season with Sir Ayckbourn’s work, and they finish strong with Haunting Julia. It’s a ghost story that ironically reaffirms... Read more
The 07 November 2013 by Chicagotheaterbeat
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Review: Elegy (The Elegy Project @ Victory Gardens)
File this one in the Underwhelming drawer. With his 70-minute Elegy, playwright Ron Hirsen explores the tragic legacy of the Holocaust from the distance of the... Read more
The 15 November 2013 by Chicagotheaterbeat
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Opera Review: East Side Story
The New York Opera Exchange presents Romeo et Juliette. by Ellen Fishbein, special to Superconductor. Kendra Berentsen (left) and Scott Ingham star in Romeo et... Read more
The 04 November 2013 by Superconductor
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Opera Review: Absolute Beginners
Fresh blood revives Der Rosenkavalier at the Met. by Paul J. Pelkonen Silver polish: Sophie (Erin Morley, left) receives the silver rose from Octavian(Alice... Read more
The 26 November 2013 by Superconductor
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Review: The Nutcracker (The House Theatre, 2013)
With their re-imagined, hyper-creative Nutcracker, The House Theatre has found its perfect annual gift to the theatre-going public. Read more
The 24 November 2013 by Chicagotheaterbeat
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Review – Street Justice: Condition Red (Factory Theater)
Street Justice: Condition Red doesn’t try to present itself as anything more than an action comedy romp poking fun at both Hollywood movie conventions and... Read more
The 14 November 2013 by Chicagotheaterbeat
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Review: Gambit (Artemisia Theatre)
For a play based around chess, a game that’s supposed to encourage logic, this is a surprisingly illogical play. By the end, we’re not sure if either woman has... Read more
The 09 November 2013 by Chicagotheaterbeat
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Review: Kate and Sam Are Not Breaking Up (The New Colony)
Though not as raucous as it could be, Joel Kim Booster's black comedy holds an interesting dramatic undercurrent, a desire for truth under artifices that are no... Read more
The 11 November 2013 by Chicagotheaterbeat
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