Theatre & Opera Magazine
LATEST ARTICLES BY PAPERBLOGGERS
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Mental And Moral Health Of Mankind By The Mountain
photo : David D. – Puukibeach In the next few weeks the Austrian area of Lake Constance will play host – or maybe that should be hostess – to an operatic tribut... Read more
The 28 July 2012 by Linda
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The Superconductor Interview: Shai Wosner
The recitalist and recording artist talks Schubert. by Paul J. Pelkonen Shai Wosner makes his Mostly Mozart debut on Aug. 10. Photo from ShaiWosner.com "Schuber... Read more
The 29 July 2012 by Superconductor
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La Boheme @ROH, AUDIO
Two fragments, an aria and a duet, that a birdie sent me. La Boheme at Royal Opera House on June 23, 2012Si, mi chiamano Mimi Mimi/Marcello Read more
The 03 July 2012 by Irinastanescu
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Review: Smartphones – A Pocket-Size Farce
Funny and surreal, with just enough old-school intelligence and unabashed love of its progenitors, Smartphones asks for an hour of time to poke a little smart... Read more
The 22 July 2012 by Chicagotheaterbeat
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Concert Review: Three-Sided Cage
The Flux Quartet's John Cage celebration continues. Sinister footwear: Merce Cunningham's "John Cage shoes." by Paul Pelkonen On Wednesday night at Bargemusic,... Read more
The 13 July 2012 by Superconductor
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The Blog of Five Rings
Superconductor goes to the 2012 Olympics by Paul J. Pelkonen (well, not really.) Most definitely not the five rings of the Olympics. Like much of the world, I... Read more
The 29 July 2012 by Superconductor
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A Milestone Reached
Half a Million Readers Can't be Wrong! by Paul J. Pelkonen Richard Wagner, grown taller and rocking the gold lamé suit. Sometime last night, the page-view... Read more
The 27 July 2012 by Superconductor
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Review: Gruesome Playground Injuries (Rasaka Theatre)
Gruesome Playground Injuries Written by Rajiv Joseph Directed by Lavina Jadhwani at Chopin Theatre, 1543 W. Division (map) thru Aug 5 | tickets: $15-$25 | more... Read more
The 13 July 2012 by Chicagotheaterbeat
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Review: Butley (Hubris Productions)
While this production does have its moments, overall it feels half-baked. Enthusiasts of Simon Gray might enjoy watching it, and the set design and costuming ar... Read more
The 20 July 2012 by Chicagotheaterbeat
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