Just as the ‘The Return of the King’ completed the quest of the fellowship, Bilbo’s journey with the dwarves is brought to completion with ‘The Battle of the Five Armies’. It wouldn’t be wrong to call this a war movie given that almost 45 minutes out of its 144 minute running time is spent on visuals of war. While from a technical standpoint the war scenes are very well made, from a personality standpoint some of Peter Jackson’s usual grit has been polished away. From the start of the trilogy, I’ve found that CGI orcs somehow cannot bring back the visual acuity that the Uruk Hai’s hot breath fogging in the cold air from the rain around Helms Deep did. It is indeed funny that, without having intended to, one of the characters in the movie yells out ‘Oh, come on!’ when the next flurry of CGI creatures is unleashed onto him. Elves are made out to be these magically agile creatures evidence Legolas’ fluid reverse swing onto horse back in ‘The Two Towers’ however the only thing missing during some of his visuals in this movie is an arcade games background. What shines through though is the strength of the CGI work in showing us Erebor, the ruins of Dale, the wrecking of Lake Town, the forbidding Gundabad and Sauron’s current stronghold Dol Guldur. Images that will stay with us when we re-read the books and for that we have John Howe and Alan Lee’s vision of Middle Earth and WETA workshops implementation of them to thank.
The story of the dwarves and their quest forms the core of the book with Bilbo’s journey intertwined with them to provide the reader a pair of eyes to the spectacle. The moral of the book and the dwarves journey has been so blown up as only a trilogy worth 745 million dollars with the potential to reap a 3 billion dollar revenue can. ‘The Battle of the Five Armies’ finds a brooding Thorin who has succumbed to his lust for gold and treasure. Richard Armitage who was brilliant in the Desolation of Smaug pulls off the almost evil Thorin to a T, rising to claim his heroic right when all else has failed and in effect he has escaped his ‘illness’ however not before causing massive loss of life. Among the rest of the dwarves playing their requisite roles Balin remains the voice of reason. Billy Connolly is wasted as Dain Ironfoot, his make up makes it hard to even recognize him under the prosthetic layers. The unnecessary romance between Kili and Tauriel the elf is another deviation that takes away from the core of the movie and bores us en masse every time Tauriel spouts a dreamy dialog exalting the power of love. Her king Thranduil maintains his agenda and delivers some really soppy dialog as well in a couple of scenes involving Tauriel. Somehow it makes us think, without any prejudice of course, that the female half of the screenplay writers came up with these romances and triangles and as a lover of Tolkiens mythologies I do not see how it contributes to the story arc even a little bit.
Benedit Cumberbatch as Smaug wreaks his avenging havoc on lake town before the title comes up and is in turn dealt with by some inventive bow-work from Luke Evans playing Bard the Bowman. Luke Evans plays his role with the required maturity and restraint and does not give in to bombast. While some may think children repeatedly screaming for their father with anxiety written upon their faces is an emotional frame, the sound of ‘Da! Da! Da!’ made me want to somehow correct them as quickly and viciously as I could. Lake town, Bard, the Master (Stephen Fry) and his wormtongue equivalent Alfrid (Ryan Gage) actually provide for entertainment. Apart from some fan pleasing cameos from Cate Blanchett (Galadriel), Hugo Weaving (Elrond) and Christopher Lee (Saruman) when they come to the aid of the caged Gandalf (Ian McKellen) there isn’t too much that they are need for. Tragic is the omission of more screen time for Beorn which would have been fulfilling but I suspect the extended edition might have more things to celebrate. There isn’t too much more to be pleased about in the movie bar one more story arc.
Martin Freeman as Bilbo Baggins, the hobbit around whom the studio-coffer-pleaser has been written provides the single ray of sunshine in the entire movie apart from Richard Armitage’s brooding take on Thorin. Martin Freeman is the ultimate Bilbo, loyal to a fault even when he needs to betray to prove his loyalty, he brings forth the true and warm nature of Hobbits that Tolkien would have wanted us to experience. His chemistry with Gandalf and his faith in both Bard and Thorin are brought to life by his ingenious and whimsical portrayal of Bilbo. He does not care much for riches, war or for the vagaries of the wide world. In the book all he wants is a full pipe, a cozy armchair and a fireplace to stretch his hairy feet to and while the burglar aspect of his characterization is built up slightly here his is the performance that stands out most. Having been dragged out of his comfortable little hole under and over mountains to face a dragon and to end up being part of a war, Bilbo comes up trumps when the situation demands it ensuring that the faith of his friend and wizard Gandalf was not misplaced.
It is with sadness that we anticipated the ending of the Hobbit trilogy. Being the Middle-Earth-on-film fanatics that we are we badgered the PVR cinemas staff a lot in the days preceding the movies release given the tickets were not available for booking. At the end of the movie it would be unfair to say we were not slightly underwhelmed and while sitting through the end titles marking the end of our journey through middle earth on the big screen it wasn’t a few times that we reminded ourselves that the extended edition might fix some of the things that we found wanting. Peter Jackson’s work or labor of love as he calls it has been immense and he has dedicated a large chunk of his life to making these movies. While they will always be known as his swansong, there is no taking away from the fact that ‘The Hobbit’ trilogy could have been handled way better and maybe with a little less heavy handedness. Pandering to the fans would be language that is too strong to be used with someone of Peter’s acumen but in catering to them he has also done them a disservice in not providing with Bilbos journey what might have been a more triumphant return to Middle Earth. However while bidding farewell we cannot forget the immense pleasure derived from watching talented people come forth into our reckoning – Martin Freeman, Richard Armitage, Evangeline Lilly, Lee Pace, Mikael Persbrandt and the return of crowd favourites in Legolas, Gandalf, Galadriel, Elrond and Saruman (who incidentally kicks more ass than any 92 year old could or should). The moral of ‘The Hobbit’ perhaps was not as clear as it should have been to Newline, MGM, Wingnut and Warner Brothers – Greed is folly.
Three Stars
