Miles Away
Written by Christine Whitley
Directed by Scott Weinstein
at Side Project Theatre, 1439 W. Jarvis (map)
thru Aug 31 | tickets: $10-$20 | more info
Check for half-price tickets
Read review
Sophomore effort by playwright feels sophomoric

The Side Project Theatre presents
Miles Away
Review by Clint May
Getting trapped for ninety minutes in a motel room with two interminably antagonistic pool sharks is a bit much. Not that there isn’t suspense here, it’s just that there’s a point of diminishing returns in character development at which point the audience is well aware of what needs to be established and can move on.


On opening night, it seemed to take a while for the production to fall into the appropriate rhythms. Still, Director Scott Weinstein has coaxed a believable love/hate relationship from Odor and Ellison with a frequently repulsive chemistry. Ellison has the difficult job of moving from peevish ingénue to slinky kitten (why this happens is not made clear, it might be the heroin), but she remains a compelling Lolita-esque figure at the center of a male-dominated world. When Wilson finally arrives, it’s not entirely clear that his presence adds much to the story. Watching Sissy and Ron pathetically try to entice him in their finest garb contrasted with a fleabag motel (while never giving up their acrimony) is interesting, but the twist you know is coming doesn’t pay off as much as one might hope.
Despite some naturalistic dialogue, Playwright Christine Whitley delves into the well of heavy symbolism a bit too frequently. Sissy’s desire (and Ron’s resistance) to change her name to “Grace,” allusions to birds and a deer—it all ends with a sequence of magical realism straight out of left field (again, this might be a heroin-induced hallucination). It comes off juvenile and disjointed despite the evocative staging, and doesn’t complete the Aristotelian arc of tragedy. Sissy’s fitful journey to womanhood would be better served by a production that trusts the truth of the gritty world it laboriously builds. Miles Away keeps the viewer hanging on through the sheer force of the duo at its center and our own empathy with Sissy’s pathetic plight. Given that she is 15 when Ron absconded with her and left her mother/his girlfriend behind, our own conscience is put on trial as we wonder how much responsibility she has for her current situation. That we care at all is more a testament to Ellison than Whitley.
Rating: ★★
Miles Away continues through August 31st at Side Project Theatre, 1439 W. Jarvis (map), with performances Sundays-Wednesdays at 7:30pm, Saturdays 3pm. Tickets are $20 ($10 Rogers Park Rush, $15 seniors/students), and are available online through BrownPaperTickets.com (check for half-price tickets at Goldstar.com). More information at TheSideProject.net. (Running time: 90 minutes, no intermission)

Photos by Scott Dray
artists
cast
Josh Odor (Ron), Isabel Ellison (Sissy), Dan Wilson (Giles)
behind the scenes
Scott Weinstein (director), Krystal Martinez (board operator), Holly McCauley (props design), Brian Ruby (resident production coordination), Alex Romberg (sound designer), Allison Smith (costume design), Michael C. Smith (lighting design), Adam Webster (artistic director, set design), Scott Dray (photos)

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