Intimate, ferocious 'Home' is as joyous as it is heart-wrenching
Review by Catey Sullivan
Toward the end of Fun Home , there's a song called "Edges of the World." It's delivered by Bruce, a closeted man in his mid-50s. It's a harrowing description of his life-long inability to embrace and celebrate his true self. Using his house as a metaphor, Bruce describes himself in terms of physical corruption and devastation. He's "cracking, "shoddy," "twisting" and finally, "falling into nothing." It's a devastating song of terror and rage at the realization you've wasted your life. It is also, in Rob Lindley's virtuosic delivery, a song that will haunt you for weeks. Perhaps longer.
Director Gary Griffin's ensemble will break your heart with their ability to embody the characters in Bechdel's story, but it is Lindley who delivers the final anvil blow that will shatter it to smithereens. In the 269-seat Victory Gardens, has an intimacy it lacked when the national tour played the 2,253-seat Oriental Theatre last November. This is especially evident in the musical numbers, which often feel like they're coming at you with the immediacy of your own immediate family.
If the above makes it sound like will leave you popping Zoloft like Skittles, rest assured that the production is as triumphant as it is dark. Adapted by Lisa Kron (book) and Jeanine Tesori (music and lyrics), is also consistently hilarious. The life and times of Alison and her family are hysterical, starting with the commercial that Small Alison (Sage Elliott Harper and Stella Rose Hoyt, alternating) and her brothers (Leo Gonzalez and Preetish Chakraborty) create for the family funeral (or "fun") home. The ad has the aesthetic of a Partridge Family number, with shades of the Brady Bunch, Johnny Bravo era. It involves puppets and casket-choreography and is all kinds of brilliant.
Alison's travails as she matures into college-aged Medium Alison (Hannah Starr) and (adult) Alison (Danni Smith) are a pitch-perfect blend of humor and sorrow, always edged by a knife-blade of bittersweet sharpness. In Medium Alison's post-coital "Changing My Major to Joan," Starr embodies a glorious merger of vulnerability and overwhelming, unadulterated joy. It's the feeling of falling in love for the first time, compressed into a single three-minute song. Starr is fearless, sending the joy to the rafters. She also captures the pride and dignity that comes with love - no small feat for a scene that has her wearing nothing but underpants, tube socks and a stomach-skimming T-shirt.
Small Alison gets her big moment in "Ring of Keys," a number that turns a banal household item into an epiphany. The song is intentionally halting, as Small Alison chokes up trying to figure out how to articulate her feelings. Pulling off those precisely positioned tiny rests without sounding rehearsed is exceedingly difficult, but Harper simply nails it. Every meticulously inserted rest sounds utterly spontaneous.
As grown-up Alison, Smith holds the show together, narrating flashbacks with the poignant hindsight that colors memory. Working at her drawing table. Alison struggles to put words and illustrations to her memories, flooded by a conflicting sea of emotions. From the gleam of an antique silver pitcher that her father bought at a barn sale, the family's story spins out and fills in. There's deception and denial alongside love; shards of anger spiking the sweetest memories.
In the language of pop psychology, the Bechdels are a "dysfunctional family." In , the more important classification is at the core: First and foremost, they are a family. Smith's portrayal doesn't play down the brutal tragedy that you can feel approaching like a freight train. But in her narration, you can see that family tragedies don't necessarily define families. Among survivors, death yields healing, renaissance and even art.
Under music director Doug Peck, the score is imbued with all the colors and emotion in the spectrum. Peck is to music as Griffin is to dialogue - which is to say, both get to the heart of the matter and make it gleam.
continues through November 12 November 19th at VG Biograph Theater, 2433 N. Lincoln (map), with performances Tuesdays-Fridays at 7:30pm, Saturdays 3pm & 7:30pm, Sundays 3pm. Tickets are $15-$75, and are available by phone (773-871-3000) or online through PrintTixUSA.com (check for availability of ). More info at VictoryGardens.org. (Running time: 90 minutes, no intermission)
McKinley Carter (Helen Bechdel), Preetish Chakraborty (John Bechdel), Danielle Davis (Joan), Leo Gonzalez (Christian Bechdel), Sage Elliott Harper (Small Alison), Stella Rose Hoyt (Small Alison), Rob Lindley (Bruce Bechdel), Joe Lino (Roy, Mark, Pete, Bobby Jeremy), Danni Smith (Alison), Hannah Starr (Medium Alison).
(music director), Charlotte Rivard-Hoster (conductor, keyboard), Corson Barnard (asst. music director), Lewis Rawlinson (cello), Brent Roman (percussion), Mike Matlock (flute, English horn, clarinet, bass clarinet, tenor sax), Justin LaForte (guitar), Ethen Deppe (electronic music designer)
behind the scenes
Gary Griffin (director) (music director), Yu Shibagaki (scenic design), (costume design), Paul Whitaker (lighting design), Ray Nardelli (sound design), Mealah Heidenreich, Alec Long (co-properties design), Jessica Forella (stage manager), Erica Daniels (managing director), Chay Yew (artistic director), Aaron Shapiro (production manager), Jessica Forella (production stage manager), Merle Reskin (production sponsor), (photos)
Tags: 17-0957, Aaron Shapiro, Alec Long, Alison Bechdel, Biograph Theater, Brent Roman, Catey Sullivan, Charlotte Rivard-Hoster, Chay Yew, Chicago musical theater, Chicago Theater, Corson Barnard, Danielle Davis, Danni Smith, Doug Peck, Erica Daniels, Ethen Deppe, Fun Home, Gary Griffin, Hannah Starr, Jeanine Tesori, Jessica Forella, Joe Lino, Justin LaForte, Leo Gonzalez, Lewis Rawlinson, Lisa Kron, Liz Lauren, McKinley Carter, Mealah Heidenreich, Melissa Ng, Merle Reskin, Mike Matlock, Paul Whitaker, post, Preetish Chakraborty, Ray Nardelli, Rob Lindley, Sage Elliott Harper, Stella Rose Hoyt, Victory Gardens Theater, Yu Shibagaki
Category: 2017 Reviews, Biograph Theatre, Catey Sullivan, Musical, Victory Gardens, Video, YouTube, Začek McVay Theater
