Outdoors Magazine

Pixelmator-ed Trees

Posted on the 09 June 2016 by Hollis
Pixelmator-ed Trees
Early June is the time for a tree-following report but … once again I’ve neglected my service berry. It’s become obvious that I picked the wrong tree. It’s too far away. It’s been a snowy spring. Now I have a lot of work. Maybe I’ll get back in late summer … maybe. But there is plenty of news from tree-followers around the world. Check it out at the virtual gathering kindly hosted by The Squirrel Basket.Instead, I’m posting some experimental tree images, for I’ve been learning Pixelmator. I bought it last year, thinking it was time to get a true image editor. I had aspirations Preview couldn’t fulfill. Reviews were enthusiastic; at $29.99 it was cheap (still is). But then I didn’t use it … until last week.I needed a figure for a paper about Black Hills Montane Grasslands—which I’ve been working on for years. Yes, this is my albatross!

Pixelmator-ed Trees

Let me tell you my epic tale.

You see, I’m not a Compleat Scientist. I would rather put together blog posts—in fact do almost anything—than write a paper for a scientific journal. It’s a guaranteed way to take the joy out of a project.

Pixelmator-ed Trees

It was enjoyable, once upon a time. Photo by D. Ode, 2011.

Pixelmator-ed Trees

Native Black Hills Montane Grasslands (green and yellow dots) now occupy only 10% of original habitat.

One morning last week, I awoke knowing the manuscript was almost ready to submit, but I needed a figure. I sighed with dread, collected my jpegs, and opened Pixelmator. About an hour later the figure was done! I was excited—not about the paper, but about this easy and powerful image editor. I see a lot of fun creative opportunities ahead.I’ve had it in mind for awhile to experiment with mixing color and black-and-white. The image at the top of the post was my first try. It was so easy … not just to do, but to learn how to do (it helps to have experience with Photoshop and understand layers). I made a duplicate layer, converted it to black-and-white, and used the “Magic Eraser Tool” to reveal some of the colors underneath. It took just a few minutes of trial-and-error to make something interesting, something I liked. That is magic! This boxelder tree grows in Long Canyon off the Burr Trail, in Escalante-Grand Staircase National Monument (Utah).

Pixelmator-ed Trees

Original photo.

Pixelmator-ed Trees

The Magic Eraser removed parts of the overlying black-and-white layer.


I met these ghostly travelers on the Old Spanish Trail near Fish Lake, Utah. The era (ca 1840) and the aspen trunks say black-and-white, but not the leaves …
Pixelmator-ed Trees

It’s also easy to add color to black-and-white images—to create the look of old hand-colored photos, which I love. The subtle beauty is something to aspire to.

Pixelmator-ed Trees

J. Garnier, hand-colored daguerreotype, circa 1850. Source.

A crude first try: My muse—the Ancient Mariner with his albatross.

Pixelmator-ed Trees

Original illustration by Dore, from Coleridge's Rime of the Ancient MarinerSource. 

Within the shadow of the shipI watched their rich attire:Blue, glossy green, and velvet black,They coiled and swam; and every track Was a flash of golden fire.

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