Timothé Grand-Chavin’s whimsical creations are a personal interpretation of beauty found in the most unexpected places. A recent graduate of Atelier Chardon Savard, 23-year-old Timothé has already presented three collections and staged a fashion show in Singapore. We caught up with him to discuss his experiences in the industry so far, his approach towards womenswear and his vision of fashion – among other things.
How was the experience of your first show?
Amazing! It was very interesting. Fashion shows are a way for me to express myself, and it is nice to have the opportunity to gather hundreds of people and tell them the story I want to! Even if they do not understand, they can at least feel something, which is the most important thing during a show. It is a bit like therapy and catharsis for me.
Where did you get most of the feedback on your first collection from? How did you handle it?
After my show, lots of professionals came to my showroom and told me very inspiring things. And thanks to them, I was able to show my collection during Singapore Fashion Week.
Why did you choose to design for women and not men?
I have always been attracted to the female body. I think it is because of the shapes and because, as a designer, I have more freedom with womenswear; women take more risks than men who are usually worried of how people are going to react if they wear something outrageous.
What is your philosophy about fashion?
Fashion should be wearable but original. I try to create clothes original in shape and materials, but my goal is to see my work worn by women. I have fun with the characters I create in my universe, and I love to see my outfits worn by people because they are in their own universe and come up with their own ways to wear them. People say fashion is not about looking back but it is always about looking forward; I disagree! For me, a good design is a perfect balance between traditional know-how and deep respect for modern influences.
Do you have a specific research process when you start a new collection?
I always do a lot of research before designing. I need to tell myself a story, and find an ambiance and a character. Most of my research comes from history because I am passionate about it.
Tell us a few words on your latest collection.
My latest collection is inspired by the ’40s and the World War II. I took inspiration in women and men’s (soldiers) wardrobes! Most of my prints, embroideries and textiles are inspired from religion. I have always been fascinated with churches and cathedrals since I was a kid. It is a place dark and creepy but at the same time a masterpiece full of amazing pieces of art. I really like working on fabrics and developing new materials. For this collection, I worked with lead wire to create an adjustable dress you can move as you want. I also used an oil painting I painted myself, which I cut to make some clothes. This collection was based on the perfect antithesis – hard materials like oil paintings on canvas or lead wire and light ones like chiffon – and, as I said, the war and religion. The collection is called “Martyrs.”
What inspires you when you design?
Inspiration comes from everything – a photograph, an exhibition, nature or a person. Some people inspire me with their appearance, their talent or their freedom.
What are the main materials you use?
I try to find new materials every time, but I really like silk, especially chiffon or crepe, leather and fur. But I test a lot of materials as much as I can!
Do you have a signature silhouette yet?
It is a bit early to say that, but I think it is easy for people to recognize my work. I love to spot beauty in what seems grotesque or bizarre at first. In fact, “disturbing” could describe the origin of my inspiration sources. I prefer creating emotions, and disturbing things are the ones we remember better.
What are your future goals about your brand?
I am currently working on another collection, so I would like to finish it and present it to the public. I also hope to gradually grow my customer base.
Images © Timothé Grand-Chavin
For more information, visit www.timothegrandchavin.com. Keep in touch with Timothé’s work on his Facebook page.
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COMMENTS ( 1 )
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