The following was taken from Mike Piazza’s autobiography, “Long Shot.”
…I wouldn’t have felt (my age) at all if the music in the clubhouse weren’t hurting my ears the way it did. When it comes to music I feel like I’m as open-minded as anybody out there, but (the A’s) had a young roster and, well, man. I like rap just fine–hell, I was wearing gold chains back when Olivia Newton-John was getting physical–if it’s classic rap, or even the new stuff when there’s a strong rhythm to it. As a thrash-metal guy from way back, I feel like I can handle some rough language and graphic lyrics; but some of the more contemporary rap is so blatantly hard-core that even an old Slayer and Anthrax man like me has a tough time dealing with it. I guess it’s a matter of age and tradition both. You have to understand, I came up with the Dodgers when the stadium music consisted exclusively of Nancy Bea Hefley at the organ. When that was cutback to modernize the atmosphere–to make the ballpark sound like every other ballpark–they turned to entrance music, with each player picking a theme song. With the Mets, I recall Tony Tarasco coming to the plate to an X–rated, in your face rap number that had the whole stadium sounding like a bad-ass clubhouse.
Can’t say I cared for that.