by Paul J. Pelkonen
A scene from the 1986 Met production of Francesca di Rimini.
Photo by Winnie Klotz © 1986 The Metropolitan Opera.
Zandonai's opera retells the doomed Renaissance romance of Francesca (Eva-Maria Westbroek) and Paolo (Marcello Giordani) against the backdrop of a power struggle between the Guelphs and the Ghibellines. Francesca is introduced to Paolo, who is substituting for his deformed brother Gianciotto, her actual future groom. Everything goes south when Paolo and Francesca fall passionately in love.
This is a rarely performed, and neglected work. From what I've read, Francesca is sort of Tristan und Isolde (love) crossed with Simon Boccanegra (politics) written in a (post-romantic) musical idiom that has been compared to Richard Strauss. The wordless love duet at the end of Act I is the best known part of the score.
Ms. Westbroek and Mr. Giordani are the star-crossed lovers. Mark Delevan takes the role of Gianciotto. Character tenor Robert Brubaker (who seems to specialize in playing depraved Renaissance nobles) is the evil Malatestino. Fabio Luisi conducts.
Francesca di Rimini opens March 4.
Recording Recommendations:
Orchestre National de France cond. Nello Santi (Gala, 2004 (recorded 1976))
Francesca: Ilva Ligbue
Paolo: Ruggero Bondino
Gianciotto: Aldo Protti
You have to understand that this is an opera that has been almost totally neglected in the past century. But looking around on Amazon.com, I found this interesting 1976 recording of a French radio broadcast starring Ilva Ligbue in the title role, Ruggero Bondino as Paolo and Aldo Protti (Iago in the classic Del Monaco/Tebaldi Otello) as Gianciotto. It should be worth a listen, but I've never actually heard it.
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