by Paul J. Pelkonen
The lovers face La Guillotine in the final scene of Andrea Chénier.
Photo by Ken Howard © 2009 The Metropolitan Opera.
Giordano is considered a verismo composer, from the same era of Italian opera that produced Mascagni, Leoncavallo and Puccini. But unlike those composers, his operas are larger-than-life costume dramas with a strong dash of historical romance. Andrea Chénier remains his most popular work, and with good reason. It is a beloved, old-school opera, noted for its challenging tenor arias and the soprano show-stopper "La mamma morta" ("They killed my mother") featured in the Oscar-winning Tom Hanks vehicle Philadelphia.
This revival of the Met's trusty 1996 Nicholas Joël production of Andrea Chénier is not on a par with La bohéme or Aida in terms of theatrical extravagance. But it works: showing the rapid decline of French society as the Revolution's ideals degenerate into the neck-chopping frenzy of the Reign of Terror that followed.
Andrea Chénier opens March 24, 2014.
Recording Recommendations:
Rome Opera House Orchestra and Chorus cond. Gabriele Santini (EMI, 1963)
Chénier: Franco Corelli
Maddalena: Antonietta Stella
Gerard: Mario Sereni
There are a number of Chénier recordings in the catalogue, with entries from each of the Three Tenors (Plácido Domingo, Luciano Pavarotti, José Carreras.) For sheer chest-thumping ability in the title role, look to the classic Franco Corelli set on EMI, with Antonietta Stella as his leading lady and Gabriele Santini providing real Italian accompaniment in the pit.
Tickets for Andrea Chénier are available at MetOperaFamily.Org, by calling (212) 362-6000, or at the box office starting August 11.
Tickets for Andrea Chénier are available at MetOperaFamily.Org, by calling (212) 362-6000, or at the box office starting August 11.