At a
time when MasterChef and its numerous avatars are ruling over our TV screen,
there comes a big screen version of Eat Street, another foodie TV program,
which celebrates food and relationships in a charming way.
Intagram
and Twitter might make it easy for the common man or woman to announce to the
world what they had for breakfast, lunch, dinner, or in-between on any given
day, but Jon Favreau takes everything a step further by combining this love and
craze for food and mixing it up with a heartwarming tale of a personal
relationship between a father and son.
Gorgeous
to look at and hunger inducing, Chef is seasoned rather well with a supporting
cast that features big names like Scarlett Johansson, Robert Downey Jr., Dustin
Hoffman, Sofia Vergara, and Oliver Platt, but it is Jon Favreau’s Carl Caper as
the celebrity chef who loses it after getting a bad review and must find his
roots that steals the show along with Emjay Anthony who plays Casper’s son
Percy and John Leguizamo’s Martin as Casper’s Sous Chef who leaves everything
behind to join Casper in his journey of self-discovery.
Chef,
besides presenting a gastronomically excellent fare, also is musically
brilliant. After Guardians of the Galaxy, this is the second film I have seen
recently that utilizes music perfectly so that it seeps into the story and
forms a part of it. Furthermore, there is a general feel good factor that runs
throughout the film which excels by adding the right amount of essential ingredients,
such as music, emotion, passion, philosophy, and food more so visually.
Unfortunately,
while on the one hand Chef capitalizes on its positives, it also lacks a
certain depth and drama that would have taken the film a notch higher. The
hurdles that Casper faces seem a tad superficial and thus his path to
rediscovering his passion for food suffers due to a lack of complexity.
What is
even more troublesome is that the film acts like an advert for social media,
especially Twitter, highlighting the pros and cons of being on the internet as
Casper discovers that tweeting isn’t private and ends up in a war of words with
the food critic that gave him a bad review, but the very same social medial is
later used by his son to his benefit as they travel around the country in a
food truck. While this might have worked a few years back when all this was
new, now it just seems like a forced lecture in Social Media 101.
Problems
aside, Chef is a well made and likeable film that can be enjoyed with the
family and one that tries its best to be part of the “cool” crowd with all its
social media integration and jargon. Part romantic comedy, part coming of age
film, and part family drama, it combines all these aspect in a subtly comic way
and presents a dish that is sure to please everyone who pays for it.
Rating
3.5/5