What sounds big on a record doesn’t necessarily sound big on stage,” she says. “You might want to add some strings or a higher synth line, so you’d have to use every part of your body – whether it be a two-handed approach, or using your feet – to make these aspects of the songs take off. I used to use a wah-wah pedal, and a Boss Delay pedal marked with china markers for ‘settings’.
Lisa Coleman
