As well as intergalactic ambient techno, nocturnal garage grooves, warped hip hop, spacey synth ballads, and dreamy piano laments, there's the acid house trucking anthem 'I Like To Truck', and the genuinely sinister 'Something's In The Back Of My Truck' which conjures up all sorts of dark images, as well as capturing the heavy weariness of long distance overnight driving. The spoken word bit at the end is particularly exceptionally twisted. All vocals are delivered in a seedy deep Southern USA accent, highlighting Jones' ability to slip into the roles of convincing characters. Amongst many other diverse and weird things, we get the acid electronica of the spiralling 'Motherfuckingtruckerfucker' and the unsettling varispeed vocals on 'I Dream About My Truck When I'm Driving Her', describing a scene in a motel room, sticking "duct tape newspaper to the window" and keeping "a gun under my pillow, next to a picture of my third wife". It's moments like these that make you wonder if Jones leaves his windows open whilst recording the bizarre vocals and creepy spoken word segments. What must his neighbours think? Only a true maverick like Jones could create something this fucked-up and brilliant.
And just as I finish writing this article, I discover that he's already put out another release, this one a sprawling triple album entitled 'Dream Walking'. Not a Trucker album though, but a soundtrack to a forthcoming movie. Those who have stuck with him since the Babybird days are certainly reaping the rewards.
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