Politics Magazine

The Unliving

Posted on the 19 July 2017 by Steveawiggins @stawiggins

Western Pennsylvania, from which I hail, has few claims to fame. One, still largely forgotten, is that it was the birthplace of the petroleum industry. Remains of the early exploitation of the fossil fuel still lie scattered carelessly in the woods. Another claim to fame is that the region was the adopted home of George Romero and served as the setting for his groundbreaking film, Night of the Living Dead. Unintentionally, Romero created what continues to shamble on in the form of the modern zombie. Although the movie doesn’t call the living dead “zombies,” it established the trope of their endless hunger for human flesh and their rabid bite. So it was with sadness that I read of Romero’s death a couple of days ago. Although he wasn’t from Pittsburgh, he established the city as zombie central. It’s nice that he gave something back.

The  Unliving

Zombies have, due to their protean nature, become a fixture among the monster constellations. They represent the worst of what people can be—selfish and brainless, without empathy, their own cravings being the only matters of importance to them. Sounds kind of like the Republican Party. The rest of the world calls them monsters. Night of the Living Dead shocked audiences of the late 1960s with its graphic portrayal of cannibalism and thoughtless destruction. Interestingly, the choice of a strong African American lead for the movie was, according to interviews with Romero, simply a matter of his being the best actor, not an intentional racial statement. (That too reminded me of western Pennsylvania; there were racial tensions where I grew up, but many of us befriended those who were “different” without any clue that it should matter at all.) Duane Jones carried off the role of Ben with conviction and energy. He died young but he never became a zombie.

To make an impact intention need not be present. While Romero denied for the rest of his life that the movie was “about” the Vietnam War, and that his choice of a black lead was a racial statement, both of these factors became facts about the film. Concepts, in other words, like zombies, may rise from the dead. Beyond the shock and gore, the movie made a powerful, if unintentional, statement. It helped to define Romero’s future career. A success in a difficult industry may indeed decide one’s fate. George Romero would go on to make many other monster movies. Western Pennsylvania would become a zombie haven. You never know what you might find scattered about in those forgotten woods of your childhood home.


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