Salvation is a fraught concept. It’s one of those topics that’s been commandeered by the evangelical camp so that mainstreamers are afraid to touch it, as if it’s catching. The thing is, Christianity is built around the idea that people require saving. The question is how you go about getting “saved.” Some insist it’s being “born again,” while others take a more gradual, one might dare say “evolutionary,” approach. Either way the end result in the same—being rescued from that which threatens you. Like many people, I watch movies. Sometimes I do so with manic intensity, not really knowing why I do it. My personal rationalization is escapism. Living in a world of harsh realities such as Trump (and even before there were sources of great anxiety) one needs an escape hatch. You might say I’m seeking salvation through film.
Crystal Downing suggests I may not be alone in this. Salvation from Cinema: The Medium is the Message is a book that explores the salvific function of movies. These are not just Christian or Bible movies she’s talking about. Indeed, she spends some time wrestling with that preposition “from” in the title. Is cinema something from which one might be saved, or by which one might find salvation? The latter is her focus and she sharpens it by looking at theories which might make it happen. The stories, the stars, and even nudity are put forward as ways the silver screen has been thought to bring salvation to viewers. She also includes a very interesting discussion of breaking the fourth wall. This technique brings the contents directly to the viewer. The second half of her book is more theoretically dense, engaging with modern theorists about what salvation from cinema might mean. Her selection of films to discuss is wide and intriguing.
There can be little question that cinema has a deeper significance than it’s usually supposed. Part of the reason is, as Downing discusses, the easy marriage of capitalism and celluloid in the United States. Movies make money. To counter this she also discusses foreign and art house films as well. There can be little question that those who stand in the queue are seeking something. While cheaper than many diversions, going to the movies does involve a small investment and as capitalists we expect a return on that. So it is that we sit in the dark and allow others to guide us toward the light. That’s as fine a metaphor for salvation as any that the preacher might proffer.
