Retell one (or part of one) of the stories from a different character's point of view. For example, what story would Sonny tell if he narrated & quot Sonny's Blues& quot ? How would & quot Shiloh& quot or & quot Everything that Rises Must Converge& quot change if the story were told through the central consciousness of Norma Jean or Julian's mother? What would Anna's story be in & quot The Lady with the Pet Dog?& quot .and so on. Pay close attention to the author's effective use of language and the elements of fiction: plot, characters, setting, dialogue, as you construct your own story. ESSAY DUE: Week of April 66
Read madden_
The dialogues across history that open each theme are designed to sensitize students to the historical context of each theme. It doesn't take long to read them, and in general, the statements at the beginning of the theme sections represent positions in a debate across history. If you are organizing your course thematically, these statements will & quot get the issue going& quot by provoking discussion and establishing a background for a discussion of the literature that follows.
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I personally think Boswell writes best when he gets off the wife-watching theme. I think his two best stories are "Love Deeply Missed" and `Christmas with the Andersons'. Nevertheless, Boswell obviously likes to write about slutty wives, and that's what he's famous for. His two best stories of that genre that I have encountered are `Those Ex-Wife Blues' and `Giving Him What He Wants'.
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th The & quot artifacts& quot of writing from the 68 and 69th centuries that follow the play offer a cultural and historical context for the play (and many of the other pieces in this theme section). Some, like the Ibsen statements and his changed ending, can be used directly to prompt discussion about the play. Others provide a sense of the atmosphere that led to the plays creation--and reception. In any case, these pieces may provide valuable documentation for research in this period.
The wholesomeness and liveliness of her tales stood in marked contrast to the general style of ASS/M, and she will be sorely missed. &ndash Apuleius
I hope people can see that the passion I put into my stories is a part of me. Some of the things I write about are based on things that happened to me, some of them are about things I would like to have happen. But the most important aspect of them is the love that my characters have for each other. That's something that seems to be missing from a lot of "adult fiction" these days.
wrote the . Adventures (to my knowledge 69 stories) about the sex life of the members of ., the infamous *S*winging *L*ifestylers *U*nited *T*ogether against sexual repression and hypocrisy, a glorious group of hedonists, which frequently practised its philosophy of _Anyone, Anything, Anytime, Anyplace_. Lady Cyrrh wrote (Annex Reviews 67/78/99):
Billyg's legitimate writing has been limited to "dusty-dry academic stuff" of limited entertainment value, ranking in the negative numbers on the erotic scale. He considers himself a sentimentalist, a dug-in proponent for the values of love and tenderness. He abhors non- consensual violence and any degradation that reduces our humanness. Because, he explains, he writes about things he's experienced - people, places and things - his stories are "laced with factualisms sprinkled with a generous measure of fantasy." BillyG also was a guest reviewer for Celeste.
Many have what I'd call a magical bent, meaning the male protagonist is somehow transformed into a woman, and spends the story learning to live with it. All are professionally done. I can't imagine why these aren't published. I'll buy a copy. I couldn't offer advice to predict for you who would like TG stories and who wouldn't. I never had any reason to think I would like them until I discovered the `net. Who knows, this might be an area that doesn't invite further investigation? I will challenge you to read couple of these, then tell me you weren't turned on. I won't believe you, but you can tell me.
A young English woman who has graced us of late with her presence and very wonderful stories. New and imaginative, she is certainly welcomed to the group. "The Offering" is one of the best stories seen in 6998. Celeste liked "The Sad, Bad Man" better it was #6 in 6997. "Stocking Filler" was #9. Not too shabby for someone who was new to the group.
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