“Give me any two pages of the Bible and I’ll give you a picture.” The words belong to Cecil B. DeMille, according to Stephen Whitty’s weekend write-up about Bible movies in the New Jersey Star-Ledger. The story was inspired by a trio of big-budget Bible films—Son of God, Noah, and Exodus—set to be released this year. While Mel Gibson put me off of Jesus movies, perhaps forever, I’ve been planning to see Noah ever since my wife first pointed the poster out to me in a local theater lobby last month. The flood story has always spoken to me, lasting well beyond the nursery years with all the fluffy animals aboard the ark. One of the points that Whitty is making, however, is that Hollywood knows something the New Atheists do not—there’s big money in religion. People will pay to see it on the big screen. The Bible still speaks to a secular nation.
Noah’s story has been dramatized many times over in the entertainment media. It is often a theme in popular fiction, although well hidden, and reemerges in the occasional search for the lost ark documentaries or Veggie Tales shorts. There’s something timeless about the world-wide flood. For me it seems to go back to the thrill of the impossible. Those first eleven chapters of Genesis teem with the surreal world of lifespans centuries long, primordial gardens full of good food, gods intermarrying with humans, and waters that cover any number of sins. There’s a robust, adventurous air to such stories—they push on the boundaries of human experience and burst beyond them. It doesn’t matter whether Noah’s ark is round, boxy, or extraterrestrial—the flood’s the thing. It appeals to imagination like less mundane disasters simply can’t.
I don’t go to the movies to learn about the Bible. I can do that right at home with a single outlay for a relatively cheap book that can be read over and over again. No, it is these early days of the Bible that give rise to the prepositional phrase “of biblical proportions,” that the movies show so well. I’m not sure that I’ll be able to make the transition from Batman to Moses when Exodus comes out later this year, but next month I do plan to let the waters of the largest event in earth’s fictive history wash over me with all its CGI glory. Seeing is not always believing, but the flood is one of the most powerful stories ever told. Who can resist the calling of deep unto deep? Be warned, the entire theater will be in the splash zone.
