In cinemas this week: 22 Jump Street, How To Train Your Dragon 2, The Two Faces of January, Frank, Galore, Gabrielle and Ernest and Celestine.
22 Jump Street - After making their way through high school (twice), big changes are in
store for officers Schmidt (Jonah Hill) and Jenko (Channing Tatum) when
they go deep undercover at a local college. But when Jenko meets a
kindred spirit on the football team, and Schmidt infiltrates the
bohemian art major scene, they begin to question their partnership. Now
they don't have to just crack the case - they have to figure out if they
can have a mature relationship. If these two overgrown adolescents can
grow from
freshmen into real men, college might be the best thing that ever happened to them. Review by Blake is Batman, Graffiti With Punctuation.
How To Train Your Dragon 2 - DreamWorks Animation returns to the world of dragons and Vikings in this
sequel to their successful 2010 outing How to Train Your Dragon. The
original film followed the exploits of a Viking chief's son, who must
capture a dragon in order to mark his passage into manhood and prove his
worthiness to the tribe. Review by Sam McCosh, An Online Universe.
The Two Faces of January - Suspense thriller starring Academy Award nominee Viggo Mortensen, Golden Globe
nominee and Cannes Best Actress winner Kirsten Dunst and Oscar Isaac. It is based on the novel of the same name
by Patricia Highsmith (The Talented Mr. Ripley, Strangers on a Train),
and adapted by Academy Award nominee Hossein Amini (Drive,
The Wings of the Dove). The film is Amini's directorial debut. In
1962, a well-heeled couple (Mortensen and Dunst) come to know an
American expatriate acting as an Athens tour guide (Isaac). But an
incident at the couple's hotel puts all three in danger and creates a
precarious interdependence between them. A tense and dangerous battle of
wits between the two men leads them from Greece to Turkey, and to a
dramatic finale played out in the back alleys of Istanbul's Grand
Bazaar.
Frank - A comedy about a young wannabe musician, Jon, who discovers
he's bitten off more than he can chew when he joins a band of eccentric
pop musicians led by the mysterious and enigmatic Frank and his
terrifying sidekick, Clara. Frank's uniqueness lies in the fact that he
makes music purely for the joy of creating and because he wears a giant
fake head. After a rocky start, Jon ingratiates himself with the band,
and they retreat to a cabin in the woods to record an album. As his
influence
waxes, creative tensions mount and the band's entire raison d'être is called into question. Review by Nick Brodie, Graffiti With Punctuation.
Galore - At 17, love is as big as life is immense. It's a sweltering summer
before the final year of school and Billie and Laura share every secret
except for Billie's biggest secret - she's crazy in love and sleeping
with Laura's boyfriend Danny. When Billie's social worker mom takes in
Isaac, a troubled teenager looking to get his life straight, the
delicate balance of the three friends' lives is disrupted. As bushfires
threaten the edge of their suburbs and they immerse themselves in the
swirl of
parties, possible love
and the intensity of sex and desire, the world of the four teenagers is
changed forever as their secrets are revealed and their lives,
friendships and loves are thrown into chaos.
Gabrielle - The musically gifted but developmentally challenged Gabrielle lives in a
group home with four other adults who have similar disabilities. Like
all young women, Gabrielle wants her independence, but of course her
situation is exceptional. When she falls in love with a similarly
challenged young man in her choir, she discovers that both the families
and the social workers are alarmed; can these two handle an adult
relationship? Then Gabrielle's beloved and supportive sister confesses
that she is
going to move to India,
and Gabrielle's world is truly in danger of falling apart. With stubborn
courage and a real zest for life, Gabrielle prevails against all odds
to win her freedom.
Ernest and Celestine - Deep below snowy, cobblestone streets, tucked away in networks of
winding subterranean tunnels, lives a civilization of hardworking mice,
terrified of the bears who live above ground. Unlike her fellow mice,
Celestine is an artist and a dreamer - and when she nearly ends up as
breakfast for ursine troubadour Ernest, the two form an unlikely bond.
But it isn't long before their friendship is put on trial by their
respective bear-fearing and mice-eating communities. Fresh from standing
ovations at
Cannes and Toronto
Ernest and Celestine joyfully leaps across genres and influences to
capture the kinetic, limitless possibilities of animated storytelling.
Like a gorgeous watercolor painting brought to life, a constantly
shifting pastel color palette bursts and drips across the screen, while
wonderful storytelling and brilliant comic timing draw up influences as
varied as Buster Keaton, Bugs Bunny and the outlaw romanticism of Bonnie
and Clyde. Bringing it all together is the on-screen chemistry between
the two lead characters - a flowing, tender and playful rapport that
will put a smile on your face and make your heart glow. Based on the
classic Belgian book series by Gabrielle Vincent, Ernest and Celestine
is winner of the Cesar Award for Best Animated Feature and numerous
festival prizes.
Weekly Recommendation: A big week. I want to see all of these, but it is unlikely I will find the time. 22 Jump Street has been receiving very strong reviews, and most claim it to be better than the first film. Frank was one of the most buzzed about films from Sundance, and Sydney Film Festival reviews have been full of praise. If there was ever a film I desired a sequel to, it is How To Train Your Dragon. While I understand that it is much darker than the predecessor, I can't miss it. All of these films are going to be worth a look, but it all depends on their accessibility.