Creativity Magazine

How The Father Of Neuroscience Used The Power Of Illustration

By Mrstrongest @mrstrongarm

Santiago Ramón y Cajal (1852–1934) is the father of modern neuroscience.blank vertical space, 16 pixels high

Most scientists of the time believed the brain was a continuous, interconnected network. Cajal argued that the brain was composed of individual cells: neurons. In the 1950’s, high-resolution electron microscopes proved him right.

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Why would someone like me, an illustrator, be interested in Señor Cajal?

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Because he was also a wonderful artist (he studied art before attending medical school).

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During his lifetime, he created more than 2900 drawings of the brain and other nerve tissue. Some of them are still used in textbooks. His work was the subject of a major exhibition last year.

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Here are some examples. Click on the composite below to see a larger version. On a personal note, I loved seeing the early “white-out” he used to correct his mistakes.

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How The Father Of Neuroscience Used The Power Of Illustration

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Cajal taught himself photography and made carefully posed self-portraits throughout his life.
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Here he is in his lab, in his mid-thirties, circa 1885. He’s definitely putting out that moody artist vibe… 😊

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How The Father Of Neuroscience Used The Power Of Illustration

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Cajal used a microscope for his observations, and cross-hatching, dots, ink washes, and occasionally watercolor for his drawings.
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Here’s his 1904 drawing of cells in the retina of the eye:

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How The Father Of Neuroscience Used The Power Of Illustration

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I write these posts to demonstrate the power and appeal of illustration to prospective clients– how does Cajal’s work fit into that?
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Because it makes this very important point:

How The Father Of Neuroscience Used The Power Of Illustration
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Working freehand, Cajal summarized what he saw under the microscope rather than making an exact copy. In a single sketch, he combined observations he made at different times, using different methods. He did this to illustrate a larger hypothesis, rather than just copying what he saw.

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In other words, he did what every good illustrator tries to do: to render a fuller reality or “truth”– one that a photograph can’t fully capture.

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Here’s an electron microscopy of the retina next to Cajal’s sketch. The photo is colorful, precise, literal, passive.

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Cajal’s sketch has energy; it’s telling a story, emphasizing certain points, making connections. It’s trying to convey a truth that goes beyond a mere photographic record.

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That’s the value you get with a custom illustration: it fits
your brand, and speaks your truth:
what it is that makes you different: a brand worth choosing.

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