


The second-generation includes plays like Tunde Fatunde's No More Oil Boom (1985) and Oga Na Thief Man (1986), Olu Obafemi's Night of the Mystical Beast (1986), Wale Ogunyemi's The Divorce (1975), Femi Osofisan's The Chattering and the Song (1977), Kole Omotoso's The Curse (1976), and Bode Sowande's A Sanctus for Women (1979); poetry collections like Femi Fatoba's Petals of Thoughts (1984), Niyi Osundare's Songs of the Marketplace (1983) and Moonsong (1988), Odia Ofeimun The Poet Lied, Funso Aiyejina's A Letter to Linda (1988), and Tanure Ojaide's Children of Iroko (1973) and Labyrinths of the Delta (1986); and novels like Chris Abani’s Masters of the Board (1985), Abubakar Gimba's Innocent Victims (1988), Festus Iyayi Violence (1979), Isidore Okpewho's The Victims (1970) and Last Duty (1976), Kole Omotoso, who also wrote novels like The Combat (1972) and Just Before Dawn (1988), Ken Saro-Wiwa's Sozaboy (1986), and Labo Yari's Climate of Corruption (1978). Women writers also became more pronounced during this period, with works from this period including playwright Osonye Tess Onwueme's Trial of the Beautiful Ones (1985), poet Omolara Ogundipe-Leslie's Sew the Old Days (1985) and authors like Zaynab Alkali's The Stillborn (1984) and The Virtuous Woman (1985), Buchi Emecheta's Second-Class Citizen (1974), The Bride Price (1976), and The Slave Girl (1977), and Helen Obviagele who wrote Ebvu My Love, Forever Yours and Fresh Start for the popular Pacesetter series.












