Directed By: Simon Wincer
Starring: Chantal Contouri, Robert Bruning, Sigrid Thornton
Tag line: "It started with a glamour shot ... and ended in murder"
Trivia: Sigrid Thornton was cast two days before shooting started
Like Celia, the 1979 Aussie flick Snapshot was billed as a horror film in the U.S., only this time the cash grab was even more appalling. To help rake in the moolah, the film’s title was changed to The Day After Halloween, despite the fact it had no connection whatsoever to John Carpenter’s Halloween, which was released a year earlier (the movie doesn’t even take place during Halloween; it’s set in the Australian winter, which runs from June to August).
Be that as it may, Snapshot does get off to a dramatic start: several fire engines are on the scene of what appeared to be a massive blaze. As two firemen prepare themselves to enter the smoke-filled establishment, a sports car drives up, and Madeline (Chantal Contouri), a famous model, leaps out of the vehicle and rushes towards the building, shouting the name “Angela” as she does. She’s quickly restrained, and soon after, firemen, who’ve made their way to the basement, find a small flame still burning in the middle of the floor. When they extinguish it, they make a grisly discovery: the charred remains of at least one victim!
From there, we jump back a few weeks to the start of the story, when Madeline tries to talk her hairdresser, Angela (Sigrid Thornton), into leaving her nowhere job to become a fashion model. At first, Angela is apprehensive, but the promise of a $1,000 pay day (for half a day’s work) is too appealing to turn down. Her first gig, a cologne ad photographed by the eccentric Linsey (Hugh Keays-Byrne), proves a big success, and before she knows it, Angela is rubbing elbows with some very important people. Yet not everyone is happy with her new career choice. Her puritanical mother (Julia Bailey), who equates modeling to prostitution, locks Angela out of the house, forcing her to move into Linsey’s studio (which she shares with a few others). What’s more, Angela is constantly being followed by her ex-boyfriend Daryl (Vincent Gil), who drives a Mr. Whippy Ice Cream van. Daryl is anxious to win Angela back, though she wants nothing to do with him. So, when it becomes apparent that Angela is being stalked, she assumes its Daryl creeping around, and does everything she can to stay away from him. But is Daryl truly the guilty party, or is it someone else altogether?
Forget what the U.S. promoters said: Snapshot is not a horror film. For long stretches, it isn’t even much of a thriller (aside from a few nerve-wracking scenes, like when Angela finds something quite creepy hiding under her bedcovers, it’s not until the end sequence that the excitement truly kicks in). For most of the movie’s running time, the intensity takes a back seat to the film’s star, Sigrid Thornton, who perfectly portrays an innocent trying to navigate the sometimes seedy world of high fashion, where lecherous old men make promises to pretty young women they can’t possibly keep. Elmer (Robert Bruning), a friend of Madeline’s, is one such parasite. Having invited Angela over for dinner, he talks of introducing her to movie producers in America, and then tries to coerce the poor girl into stripping so he can photograph her. Sigrid Thornton, in what was her first major film role, is completely convincing as Angela, who’s far too quick to trust others, yet sharp enough to realize when she’s being scammed (she leaves before Elmer can take his pictures).
While it may be a bit light on thrills, Miss Thornton ensures that Snapshot remains an engaging motion picture throughout.
