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#1,243. Kill Bill: Vol. 2 (2004)

Posted on the 10 January 2014 by Dvdinfatuation
#1,243. Kill Bill: Vol. 2  (2004)
Directed By: Quentin Tarantino
Starring: Uma Thurman, David Carradine, Michael Madsen
Tag line: "Kill is love"
Trivia: The entire first reel of this film is presented in black and white
Picking up where Kill Bill Vol. 1 left off, the Bride (Uma Thurman), having dispatched two former colleagues of the Viper Assassination Squad, sets her sights on the remaining three: Elle Driver (Daryl Hannah), Bud (Michael Madsen) and her former boss and lover, Bill (David Carradine). Still pissed over being shot and left for dead in an El Paso wedding chapel, an attack she believes also claimed the life of her unborn child, The Bride continues her “Roaring rampage of revenge”, only this time she’s in for more than the fight of her life; there’s also a big surprise waiting for her at the end of the line.
Where Kill Bill Vol. 1 had a distinctly “Eastern” feel (aside from the fact a major portion of the film was set in Japan, Vol. 1 also featured an anime sequence, and co-starred Sonny Chiba, whose movies like The Street Fighter and The Bodyguard are personal favorites of director Quentin Tarantino), Vol. 2 shifted the action to the American West, paying homage to several classics of the western genre (during a flashback sequence at the Wedding Chapel, Tarantino frames a shot of the Bride standing in a doorway, a nod to the final moments of John Ford’s The Searchers). But aside from changing locales, Kill Bill Vol. 2 has plenty of what made Vol. 1 such a fun movie, including pulse-pounding action (my favorite scene being the well-choreographed fight with Elle Driver) and a handful of flashbacks that help flesh out the story (there’s an extended sequence in which The Bride, back when she first joined the Viper Assassination Squad, is trained by martial arts master Pai-Mei, portrayed by the legendary Gordon Liu). Then, of course, we have the big showdown with Bill, at which point the final twist is revealed (and it’s a doozy). I’ve heard some people complain that these last scenes are a bit too talky, and don’t have enough action. Personally, I loved the give-and-take between Bill and the Bride, and was plenty engrossed in what they were saying (Bill’s take on the mythos of Superman is a definite highlight). Snappy dialog has always been one of Tarantino’s trademarks, and in my opinion, the finale of Kill Bill Vol. 2 features some of his “snappiest” to date.
As in the first film, the cast of Kill Bill Vol. 2 is superb. Daryl Hannah is sadistic as hell as the Bride’s arch-nemesis, Elle Driver, and David Carradine shines as Bill, who, after being something of an enigma in Vol. 1, dominates a large chunk of this movie. And then there’s Uma Thurman, who explores a wide range of emotions between the scenes where she’s kicking someone’s ass. She was so effective in the role that the Golden Globes nominated her for Best Actress (which they also did a year earlier, for her work in Vol. 1). These performances, coupled with Tarantino’s razor-sharp script, transformed the entire Kill Bill saga into a top-notch action series.

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