Calgary Public Library, Alberta, Canada
Thirty-one years ago I came to Calgary for a library conference. Last week I returned to Calgary while my husband, Art, attended a conference there. As I almost always do when I travel, I visited the local library, in this case the new Central Library, just a few blocks from my hotel in downtown Calgary. The library, opened in 2018, is a soaring structure filled with light and wood.
The central skylight celebrates Calgary's famously sunny skies and brings natural light into the building.
I had arranged to meet children’s librarian Jennifer Mason, who gave me a tour of the children’s section—filled both with books and with inviting play areas where kids could do puzzles, build with blocks, Legos, or plastic pieces, climb into a structure, or just stretch out and read. In one area, families could choose a book to read together and then do activities in a take-home brochure. I thank Jennifer for taking time out of her day to meet with me and chat about books.
While many of the books in the Calgary library are by Canadian authors, there are also many by American writers. I was pleased to learn that the Calgary library system has nineteen of my books, including most of my new ones. All of their copies of Hatching Chicks in Room 6 were checked out—which made me wonder how many children were hatching chicks at home or at school.
Collaborative works by indigenous artists are seen throughout the library.
Much of the fourth floor of the library is devoted to indigenous cultures with books in indigenous languages and a room for meetings and events. On the afternoon that I visited an elder was meeting with students in the room.
View of downtown Calgary and rail line. The library was built over the rail line.
As I walked around the library I was impressed by both its use as a library and community center but also as an architectural wonder. From the fourth floor windows one gets an amazing view of the city, framed in the windows. As the free brochure explains: The modular hexagonal forms of the facade reflect the surrounding city and sky above. Familiar forms emerge from this varied geometry, where parts of the pattern might resemble an open book, beehives, or interlocking houses, anchoring the idea of collectives and community.
