Tim Roth Biography Often mistaken for an American because of his imitating accents, actor Tim Roth created Timothy Simon Roth on May 14, 1961, in Lambeth, London, England. His mother, Ann, was a teacher and landscape painter. Ernie was a surgeon who had changed the family name from “Smith” to “Roth”; Ernie was created in Brooklyn, New York, to an immigrant category of Irish ancestry.
Tim spent my youth in Dulwich, a middle-class area in the south of London. He demonstrated his talent for picking up accents early on age when he attended school in Brixton, where he faced persecution from classmates for his comfortable background and quickly perfected a cockney accent to blend in. He attended Camberwell Art College and studied sculpture before he dropped out and pursued acting.
The blonde actor’s first big break was the British TV movie Manufactured in Britain (1982). Roth made an enormous splash because of the film as a new skinhead named Trevor. He next caused director Mike Leigh on Meantime (1983), which he has counted among his favorite projects. He debuted on the big screen when he filled set for Joe Strummer in the Stephen Frears neo-noir The Hit (1984). Roth gained more attention for his turn as Vincent Van Gogh in Vincent & Theo (1990), and his work opposite Gary Oldman in Rosencrantz & Guildenstern Are Dead (1990).
He moved to Los Angeles looking for work and caught the eye of young director Quentin Tarantino. Tarantino had envisioned Roth as a possible Mr. Blonde or Mr. Pink in his heist flick Reservoir Dogs (1992), but Roth campaigned for the role of Mr. Orange instead and ultimately won the part.
It proved to be an enormous breakthrough for Roth, as audiences found it difficult to forget his performance as a member of several jewelry store robbers who is slowly bleeding to death. Tarantino cast Roth again in the landmark film Pulp Fiction (1994). Roth and actress Amanda Plummer played a couple of robbers who endure a restaurant. 1995 saw the 3rd of Roth’s collaborations with Tarantino, a remarkable slapstick performance in Four Rooms’ anthology film (1995). That same year Roth found an Academy Award nomination for his campy turn as a villain in the timepiece Rob Roy (1995).
Continuing to defend me against disparate roles, Roth did his singing (with an American accent to boot) in the lightweight Woody Allen musical Everyone Says I Love You (1996). He starred opposite Tupac Shaker in Shaker’s last film and the twisted comedy Gridlock’s (1997).
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The pair received positive critical notices due to their comic chemistry. Standing on the other hand to the criminals and baddies that crowd his CV, Roth’s are the innocent, seafaring pianist in the Giuseppe Torn tore film The Legend of 1900 (1998) became something of a lover favorite. Grittier fare followed when Roth made his directorial debut with The War Zone (1999), a frank, critically acclaimed drama about a household torn apart by incest. He made his next high-profile appearance as an actor as General Trade, an evil monkey in the Tim Burton remake of Planet of the Apes (2001). Roth was all but unrecognizable in his primate make-up.
Roth has continued to savor a mix of art-house and mainstream work, including everything from the lead role in Francis Ford Coppola’s esoteric Youth without Youth (2007) to becoming “The Abomination” in the unique effects-heavy blockbuster The Incredible Hulk (2008). Roth took his first significant American television role when he signed on to the Fox-TV series Lie to Me (2009)
Son walks into a bar and meets Sam Shepard, Christopher Waken, and Al Pacino. The man is Tim Roth. The year is 1990, and the actor is in New York to film Jump in’ at the Boneyard, a gloomy movie about drug abuse. Roth, who planned to nurse a peaceful beer while watching American football, found himself in conversation with Walked and Shepard.