A window into the life of the megalomaniacal Apple visionary as told in three acts in the frantic moments leading up to three launch (the 1984 Mac, the introduction of 1988's NeXT computer, and the iMac in 1998) as he strategizes, confronts, insults, embraces, threatens, or demeans several major players in his life including his faithful assistant and conscience Joanna Hoffman (Kate Winslett), head programmer Andy Hertzfeld (Michael Sthulbarg), close friend and pc pioneer (Steve Wozniak), former Pepsi chair and current Apple CEO and father figure John Sculley (Jeff Daniels), and Chrisann Brennan, a troubled ex-girlfriend (Katherine Waterston) whose daughter Jobs initially denies paterternity of. An endless source of fascinating, the latest Steve Jobs movie (and hopefully the last) was hatched by top industry talent. At first, Aaron Sorkin's relentless, droll, sometimes forced dialog and Danny Boyle's kinetic, stylistic approach do not seem to mesh, they eventually gain footing and even approach greatness, especially in a second act brilliantly edited and acted wrangle between Fassbender and Daniels. Although to my mind Fassbender seems miscast, he appears to come close to the core of his enigmatic and in many ways despicable character and is given truly fine support by a uniformly excellent cast.
*** 1/2 out of ****
Entertainment Magazine
A window into the life of the megalomaniacal Apple visionary as told in three acts in the frantic moments leading up to three launch (the 1984 Mac, the introduction of 1988's NeXT computer, and the iMac in 1998) as he strategizes, confronts, insults, embraces, threatens, or demeans several major players in his life including his faithful assistant and conscience Joanna Hoffman (Kate Winslett), head programmer Andy Hertzfeld (Michael Sthulbarg), close friend and pc pioneer (Steve Wozniak), former Pepsi chair and current Apple CEO and father figure John Sculley (Jeff Daniels), and Chrisann Brennan, a troubled ex-girlfriend (Katherine Waterston) whose daughter Jobs initially denies paterternity of. An endless source of fascinating, the latest Steve Jobs movie (and hopefully the last) was hatched by top industry talent. At first, Aaron Sorkin's relentless, droll, sometimes forced dialog and Danny Boyle's kinetic, stylistic approach do not seem to mesh, they eventually gain footing and even approach greatness, especially in a second act brilliantly edited and acted wrangle between Fassbender and Daniels. Although to my mind Fassbender seems miscast, he appears to come close to the core of his enigmatic and in many ways despicable character and is given truly fine support by a uniformly excellent cast.
*** 1/2 out of ****
