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At the Paris Fashion Week Stephane Rolland presented the Spring-Summer 2025 Haute Couture collection inspired by the work of art from Joséphine Baker's cubism combined with curves, and Brancusi a pioneer of abstract sculpture.
How two beings conquered the world with their freedom of expression. Pioneers and avant-garde figures; Joséphine dances and sings, Brancusi sculpts and Paris is set ablaze. They both took their art to its most fundamental essence. Joséphine sublimated the body and set it free, Constantin revealed primary forms and polished bronze to reveal all its light.
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The shoulder is bold, powerful, the spirit is free, an affirmation of self. Reimagined tuxedo in black gazar and ebony satin.
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The collection goes from black to white elements, like this white tunic with golden vines embroidery falling on the legs.
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Continuing with the light hues, a cape dress in white crepe or cubic sweater in Brancusi embroidered wool gazar.
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Passing from ivory to ebony, the designer proposes this bark chiffon dress with embroidery in ebony and crystal.
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Transparency celebrates the movement of the body, like this giant tunic in brown gauze embroidered with topaz and rosewood.
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A collection with plenty of contrasts, like this scarified leather sweater paired with a pleated brown organza skirt.
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Generous handfuls of burned feathers cover a satin vest and the oversized collar of a jumpsuit.
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Elements with layered organza pleats in kinetic movement embrace the body, is the way how Stephane Rolland gets to dance freely Joséphine Baker again.
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A collection where warmth meets coolness. Wood is embroidered on silver lamé gazar and velvet, while the gleaming gold of the chestplate jewelry references
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The designer proposes a remake of THE BIRD, the supreme masterpiece of Constantin Brancusi.
Art Direction and Production Pierre Martinez
Hair by Bjorn Axen @JOHAN HELLSTRÖM
Make Up by Baltasar Gonzalez Pinel @MAC
(Courtesy of Stéphane Rolland - Press Office)