There’s a cruel irony that runs through “Godard Mon Amour“, the latest nostalgia-tinged effort from Michel Hazanavicius. Its titular subject – famed pioneer of the French New Wave Jean Luc Godard – was known for his anti-establishment, inventive style of filmmaking. The name Godard is, therefore, one of the last names you would associate with a genre as old-fashioned as the biopic. But in perhaps one of the boldest moves of his career, Hazanavicius makes a valiant, if misguided attempt at capturing a key moment in the auteur’s life.
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