In 2015, Jonas Carpignano made a splash with his debut feature “Mediterranea,” a drama that hearkens back to the heyday of neorealism. With his follow-up “A Ciambra,” the Italian-American filmmaker continues in the same vein. Once again, he focuses on a member of one of Italy’s minority populations. And in the process, he crafts an intimate, melancholic portrait of their daily struggle.
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