As is typical of his filmography, Jafar Panahi’s “3 Faces” begins without a “based on a true story” disclaimer. This latest effort from the beleaguered director once again continues his penchant for palpable realism, offering a fervent critique of his native Iran. As pointed as ever, “3 Faces” poignantly examines the tensions within a society where art and culture don’t always make a perfect match.
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