Blogpost about sport, art and religion
At the moment, the attention of media and of millions of people is focused on Qatar and the FIFA World Cup. Without a particular interest in football, I therefore have also followed this global phenomenon a little. In meditation this morning I remembered that I had read an article a week ago:
In “Das Magazin“, a weekend supplement of our regional Swiss newspaper, a writer made fun of an installation by the Berlin-based world-class Icelandic-Danish artist Olafur Elisasson, who had realised circular mirrors in the Qatar desert. The writer found it “completely ballaballa”, meaning crazy. It somehow caught my attention: In a video presentation about my paintings (Creativity and Originality), I mentioned Elíasson and his work.
I found it interesting: In the past, art and religion have been closely associated. Religion and art have much changed their roles and both have become much more mundane in most of their expressions. For millions of people sport has taken over the role of religion:
Quasi-religious fervour of ascetic aspiration in a hatha-yogic style drives athletes’ and sportsmen’s /sportswomen’s devotion to extreme efforts in their training to strive for their very highest. And huge crowds of people gather in the cathedrals and temples of sport for their quasi-religious devotional celebrations – at the moment, in Qatar’s soccer arenas. There are also very many sects and beliefs among the followers. A gigantic effort was made to hold the big celebrations in a desert state. Many discuss the sense and nonsense of such events. Some avoid them, others travel there to participate.
When Eliásson now says in his artistic and context statements that “There is no artistic connection between my sculpture and the FIFA World Cup Qatar 2022”, this might be his intention and understanding but the exhibition is financed and organized by the state of Qatar and the opening of the exhibition coincides with the FIFA World Cup – “honni soit qui mal y pense“.
Here are the photos of the circular mirror installations in the desert, reminiscent of the ball religion celebrated nearby in football stadiums. The ball, the sphere, the circle are deeply occult symbols of the world, of creation. May the world’s attention go beyond the mundane levels to understand and practice the deeper spiritual aspiration to the highest and thus gain the experience of bliss, mundanely aspired by sport.
All photos are press material giving installation views of the Northern Heritage sites, Doha, Qatar, 2022. Photos by Iwan Baan, courtesy of the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los Angeles © 2022 Olafur Eliasson.
