Javier Bardem: Being the Ricardos
Will Smith: King Richard (winner)
Benedict Cumberbatch: The Power of the Dog
Andrew Garfield: tick, tick…BOOM!Denzel Washington: The Tragedy of Macbeth
What’s Missing
There are a number of interesting possibilities for Best Actor to improve on what is honestly kind of a lackluster collection of actual nominations. This is a case where I’d probably get rid of most of the slate we have. I’d be tempted to include Ethan Hawke in The Black Phone, but his performance is clearly more supporting than anything else. I’d also love to bring up Peter Dinklage in Cyrano, but he doesn’t have the voice to pull off a role in a musical. Oscar’s dislike of science fiction leaves Timothée Chalamet out in the cold despite a very good performance. As a Guillermo del Toro fan, I’m almost obligated to bring up Bradley Cooper in Nightmare Alley; I’m no Cooper fan, but this really is a solid performance. Both Joaquin Phoenix and Hidetoshi Nishijima in C’mon C’mon and Drive My Car respectively are very good in subdued and subtle roles. With all of this, though, there are three performances that I think most deserve to be on the dais. The first is the towering performance of Jason Isaacs in Mass, which is likely too controversial to get much notice. Second is Dev Patel, unfairly overlooked for The Green Knight. Last, but definitely not least, is the towering performance of Udo Kier in Swan Song, far and away the best thing in his storied career.
Weeding through the Nominees
5. I don’t like saying this about an actor whose work I genuinely like, but Javier Bardem feels like a stunt nomination. His performance as Desi Arnaz in Being the Ricardos is fine, good even, but that’s it. There are times when Oscar like to play a greatest hits medley, and in this case, nominating Bardem for an award he clearly wasn’t going to win feels like just that. While some of my favorite performances of this year were in small movies, to ignore Dev Patel for this performance feels incomprehensible. Again, the performance is fine, but there’s no reason he should be here.
4. Next off the list is Will Smith, with his performance in King Richard, which ultimately won the statue. Again, this is not a bad performance, but Oscar-worthy? The biggest problem here is that Richard Williams is without question the least interesting person in the film. That’s not Will Smith’s fault, of course, but it does make the nomination feel strange. Make this a movie about Venus and Serena Williams, and maybe Smith merits a nod for Best Supporting Actor, but as it stands, I hated spending time with this character, and that’s a hard sell for me.
3. Andrew Garfield had a good year, with both tick…tick…BOOM! and The Eyes of Tammy Faye getting a lot of critical attention. He could have been nominated for either, although as supporting in the second film. He may have had the best year as an actor in 2021, but this wasn’t close to the best performance. That said, it’s still a pretty good one. My biggest problem with it, and I admit that this is entirely my hang-up, is that I don’t like the character he’s playing. Also, isn’t it strange that this is the third nomination for this category based on a real person?
2. For some time, Denzel Washington would have been my pick for this award. It’s hard to determine how to handle Shakespeare with the Oscars, though. It immediately feels like pandering, going to some of the greatest dramas in history, and things that have that air of posh respectability to boot. But Washington is very much in his element in The Tragedy of Macbeth. To be fair, this is my favorite Shakespeare, but it’s also one that is easy to screw up. This is a great performance in the middle of a great production, and I wish more people would see it.
1. Generally speaking, I don’t have a really strong opinion on Benedict Cumberbatch, or as I like to call him, Blueberry Coffeecake. However, there is no denying that his work in The Power of the Dog genuinely is some of the best in his career and the best of 2021. This is a nuanced performance that is so nuanced that it’s not obvious right away. There is a subtlety that builds here, and as the film progresses, the real strength of his work becomes apparent. My actual vote will go somewhere else, but this would be a strong contender in a completely open field, and of the actual nominations, he’s the clear choice.
My Choice
Hand me the reins of this category, and I’m keeping the top two and I’m adding the last three from my final paragraph above. I think I can make a strong case for all five of those performances. Washington would be on my list, but probably fifth. Cumberbatch would likely come in second or third. Dev Patel would probably slide into fourth, and it would be Jason Isaacs who would flip-flop with Cumberbatch for the positions of place and show. Udo Kier’s work in Swan Song is that good. It’s career-defining, and for a career as long as his, that is truly magnificent.
Final Analysis
