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NYX UK Presents a Women in Horror Week and Celebrates the Walking Dead with Zombie Week in a Packed February Programme.

By Newguy

NYX UK presents a Women in Horror Week and celebrates the walking dead with Zombie Week in a packed February programme.

NYX UK presents a Women in Horror Week and celebrates the walking dead with Zombie Week in a packed February programme.

From February 10 to February 16 at 9pm, NYX UK presents WOMEN IN HORROR WEEK, which highlights the extraordinary impact of women in the horror genre, presenting a lineup of chilling and empowering films.

Monday February 10: Axelle Corolyn kicks of the week with SOULMATE (2013), her gripping gothic exploration of grief and supernatural. With its subtle scares, her debut feature stands out as a refreshing take on ghost stories. Its moody cinematography and haunting score enhance the tension, delivering an emotionally resonant experience.

DARK TOUCH

Tuesday February 11: An Irish-French-Swedish horror film directed and written by Marina de Van, DARK TOUCH (2013)  dives into psychological terror, revealing the dark secret of a young girl haunted by her traumatic past. It’s unique blend of supernatural terror and poignant social commentary, marks it as a  standout entry in the psychological horror genre.

Wednesday February 12: THE HITCHHIKER (1953), directed by Ida Lupino, is a suspenseful and groundbreaking classic that cemented Lupino’s legacy as the first woman to direct a film noir. An ultra-tense road thriller, the film showcases Lupino’s trailblazing talent in a genre then dominated by men.

RABID

Thursday February 13: The 2019 remake of RABID, directed by the Soska Sisters, reimagines David Cronenberg’s 1977 body horror classic with a modern and feminist twist. The Soska Sisters bring a contemporary edge to the story, blending their signature style of gore with sharp commentary on vanity and the ethics of medical advancements.

Friday February 14: NYX UK presents the channel premiere of DEATHCEMBER (2019), a horror anthology, offering twenty-four chilling tales of holiday horror, each helmed by a different director, including Vivienne Vaughn (A Christmas Miracle), which stars horror icon Barbara Crampton, Pollyanna McIntosh (Getting Away From It All), Annika Marx (Christmas Corpse), Ama Lea: (Five Deaths In Blood Red) and Sonia Escolano (Joy To The Girls).

Saturday February 15: A cult classic of the slasher genre, THE SLUMBER PARTY MASSACRE (1982), directed by Amy Holden Jones, is a thrilling and self-aware take on the typical teen horror formula. With its sharp commentary on gender dynamics and clever subversion of genre tropes, the film remains a beloved entry in horror history.

Sarah Butler in I SPIT ON YOUR GRAVE (2010)

Sunday February 16: The 2010 remake of I SPIT ON YOUR GRAVE revisits the harrowing story of Jennifer Hills, a writer who is brutally attacked while on a retreat and exacts ruthless revenge on her assailants. Hills is played by Sarah Butler, who gives a tour de force performance, sparking conversations about female empowerment, justice and the human capacity for endurance.

Get ready to sink your teeth into a week-long celebration of the undead as NYX UK presents ZOMBIE WEEK. From February 3 to February 9, at 9pm, viewers can immerse themselves in a lineup of iconic and chilling zombie films that have defined the genre across decades, promising an unforgettable journey through the terrifying world of the living dead.

Monday February 3: Kicking off Zombie Week is Lucio Fulci’s iconic ZOMBIE (1979), a visceral and atmospheric masterpiece of Italian horror, memorable for its haunting visuals, gruesome special effects, and unforgettable moments—such as the infamous eye-gouging scene.

NIGHT OF THE LIVING DEAD

Tuesday February 4: To celebrate George A. Romero’s birthday, there is a double-bill of the legendary director’s seminal work. At 9pm is THE CRAZIES (1973) a chilling exploration of societal collapse, government control, and the fragility of human nature, which showcases Romero’s signature blend of horror, social commentary, and gripping storytelling. Then at 11pm is NIGHT OF THE LIVING DEAD (1968), his groundbreaking film that started it all. Romero’s low-budget masterpiece redefined horror, introducing the modern zombie as a relentless and terrifying force.

TOMBS OF THE BLIND DEAD

Wednesday February 5: Amando de Ossorio’s TOMBS OF THE BLIND DEAD (1972) presents a chilling tale of vengeance and terror, introducing viewers to the Templar Knights, an undead sect of blind, skeletal monks.

Thursday February 6: The Templar Knights are back in RETURN OF THE EVIL DEAD (1973), the sequel to Tombs of theBlind Dead. The blend of medieval lore and modern horror makes this a gripping continuation of the Blind Dead saga.

Friday February 7: The fourth and final film in the Blind Dead series, NIGHT OF THE SEAGULLS (1975) brings thesaga to a haunting conclusion. The film’s melancholic tone and striking imagery make it a fitting end to the iconic series.

NIGHTMARE CITY

Saturday February 8: NIGHTMARE CITY (1980) is an Italian-Spanish zombie horror film directed by Umberto Lenzi, starring Hugo Stiglitz, Laura Trotter, and Maria Rosaria Omaggio. The film’s gripping storyline, gruesome special effects, and memorable moments of terror have made it a cult classic.

Sunday February 9:  Zombie Week concludes with THE HOUSE BY THE CEMETARY (1981), another gem from Lucio Fulci.  With its eerie atmosphere, chilling score, and gory set

pieces, it is a fitting finale to a week celebrating the best of undead cinema.

Plus, from February 25, NYX UK presents Season One of DARK REWIND, a nostalgic TV series where August Kyss, a charismatic and quirky host, transports viewers back to 1984 as she dives into classic 80s horror films from the comfort of her neon-li bedroom. Each episode celebrates the iconic films, cheesy tropes, and retro culture that defined 80s horror.

The first episode is the Channel premiere of SLEEPAWAY CAMP (!983), a cult classic in the slasher genre, directed by Robert Hiltzik. The film follows Angela Baker, a shy and withdrawn teenager, who attends a summer camp with her cousin Ricky. While Angela struggles to fit in, a series of brutal murders begins to plague the camp. The film’s low-budget charm, creative kills, and unforgettable climax have earned it a devoted following, making it a cornerstone of 1980s horror.


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