Masks by Leilah Babirye at the de Young Museum in San Francisco.
A new exhibit at the de Young Art Museum in San Francisco, called We Have a History, features the art of Leilah Babirye. At first, Leilah Babirye’s sculptures look like traditional African forms, but on closer look, the complex decorations turn out to be a colorful mixture of found objects—can tops, electrical wire, extension cords, PVC pipe, and whatever else she has happened to find.
Auntie Muzumganda by Leilah Babirye, Ceramic, wire, and found objects.
Detail.
Leilah Babirye, born in Uganda, works in New York, creating busts, masks, and figures from ceramic and wood. This is her first solo museum show in the United States. Her work highlights the connection between the past and present in African art.
R. Peaceful Bride of Mwanga II, Leilah Babirye, Wood, wax, nails, wire, glue and found objects.
I saw Leilah Babirye’s exhibit when I was at the de Young Museum in July. Her art is displayed in the Art of Africa gallery, alongside the permanent exhibits of masks, paintings and other objects, thus tying Babirye’s work to the larger African tradition.
Dance mask, Bogadjin people; Headrests, Tami people.
I was intrigued by her use of ordinary household objects and the way they become transformed into vibrant art when incorporated in the sculptures.
Carved wooden figure, Leilah Babirye.
Included in the exhibit is a video installation where we see Leilah Babirye at work in her studio. We see the intense and energetic way she attacks materials, turning them into the forms she intends. As she works we hear her talk about them. Leilah Babirye’s sculptures, busts and masks are portraits of her LGBTQ+ community. Each one speaks for itself, inviting the viewer to take a closer look.
The exhibit, on the second floor of the museum, runs through October 26, 2025.
For more information about visiting the de Young Museum of Art, click HERE.
