I’ve always been drawn to the Uncanny, whether it been in art, cinema, or literature. This leaning may have played a part in what emerged during my recent play session with some bits and pieces from my found materials collection.
'Metamorphosis', 2024, artist Wayne Chisnall
I started this piece (which I’ve titled ‘Metamorphosis’), firstly by smashing a porcelain figurine and then building up sections of roots to give the impression of something emerging from within. I like how the roots have an insect or alien-like look to them; an aspect made all the more sinister when contrasted with the rather homely appearance of the figurine, an item usually associated with the safe and often chintzy world of dear little old ladies.
'Metamorphosis', 2024, artist Wayne Chisnall
As with most sculptural endeavours, I find lots of overlapping ideas flowing through my mind when sculpting. Whilst making this one my thoughts turned to that of insects emerging from cocoons, Franz Kafka’s novella The Metamorphosis, of the alien from John Carpenter’s classic 1982 movie The Thing (sci-fi and horror movies are probably more of an influence on my artwork than I’m generally willing to admit), of Raggety, the woodland troll-creature from the Rupert The Bear children’s books, of intestines, of fairy tales, and probably a lot more besides.
'Metamorphosis', 2024, artist Wayne Chisnall
Incidentally, it was rather enjoyable getting to smash up a porcelain figurine.
'Metamorphosis', 2024, artist Wayne Chisnall
