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“In the Photograph That the Peter Blum Gallery Sent out To...

By Briennewalsh @BrienneWalsh
Photo Post “In the photograph that the Peter Blum gallery sent out to announce the opening of Esther Kläs’s exhibition Better Energy at MoMA PS1, three of the artist’s totemic sculptures – turquoise, charcoal and yellow, respectively – are depicted on a rooftop overlooking the skyline of Manhattan, as if paying homage to the city. Mistakenly thinking that this was an image of the installation, I was informed at the ticket counter that the PS1 rooftop is not open to the public.”
I quite liked aspects of Esther Kläs’s Better Energy at PS1 MoMA, which I reviewed for the September issue of ArtReview. She’s part of a group of young, female sculptors that are doing something related to the apotheosis of materials and their own bodies, that I can’t articulate into words because it’s probably not a valid theory. Kind of like Brancusi only with bitches. And I mean bitches in an empowering way.
Anyway, you can read the rest of the review here. 

“In the photograph that the Peter Blum gallery sent out to announce the opening of Esther Kläs’s exhibition Better Energy at MoMA PS1, three of the artist’s totemic sculptures – turquoise, charcoal and yellow, respectively – are depicted on a rooftop overlooking the skyline of Manhattan, as if paying homage to the city. Mistakenly thinking that this was an image of the installation, I was informed at the ticket counter that the PS1 rooftop is not open to the public.”

I quite liked aspects of Esther Kläs’s Better Energy at PS1 MoMA, which I reviewed for the September issue of ArtReview. She’s part of a group of young, female sculptors that are doing something related to the apotheosis of materials and their own bodies, that I can’t articulate into words because it’s probably not a valid theory. Kind of like Brancusi only with bitches. And I mean bitches in an empowering way.

Anyway, you can read the rest of the review here. 


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