Religion Magazine

Iconography

By Nicholas Baines

This is the script of this morning’s Thought for the Day on BBC Radio 4’s Today programme.

They say that radio wins over television because the pictures are better. Indeed, words can open up the imagination in ways that a photo or video cannot. But, some images leave me speechless.

I remember going into the cathedral in Almaty, Kazakhstan, a few years after it had been restored for its original purpose after decades of Soviet iconoclasm. It was the icons that moved me. Icons are meant to be looked through and not looked at. A glimpse is not enough; you have to stay with it, look deeply and go beyond superficial significance.

So, it is appropriately shocking that one icon doing the rounds at the moment has Mary Magdalene holding a Javelin missile launcher – an image not of comfort or piety, but a juxtaposition of redemption and violence. Mary Magdalene is the friend of Jesus who – as legend has it, at least – lived a morally questionable life who found new life, new hope, new identity and a new belonging in the company of the wandering Galilaean. Having found peace, here she holds a weapon of war.

It is right that this should shock. Anodyne statements about peace evaporate when an image confronts me with the moral dilemma facing so many people today: what place violence finds in shaping peace – and how redemption can involve such terror.

Two things come to mind. One is a line by the novelist Francis Spufford who wrote: “Some people ask what kind of religion it is that chooses an instrument of torture for its symbol, as if the cross on churches must represent some kind of endorsement.The answer is: one that takes the existence of suffering seriously.” In other words, even if we have become inured by familiarity to the offense of the cross as an image, it stands amid the smoke of destroyed lives and landscapes as a recognition of violent reality; but, this cross holds a man whose arms are open to the world as it is, offering a redemption that sees beyond the violence to a future in which love wins through. No romance; just brutal reality.

The second thing it evokes for me are the words of President Zelensky when he said at his inauguration: “I don’t want my pictures in your offices, for the President is not an icon, an idol or a portrait.Hang your kids’ photos instead, and look at them each time you are making a decision.”

So, I am left haunted by two images, two icons: redemptive suffering … and the eyes of my children and grandchildren as I help shape the world they will inherit.


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