





The exhibition's costumes were chosen for their various attributes in purveying the fashion fantasy that most audiences have of the 1920s ... fine craftsmanship, the principles of haute couture, exotica and of course, glamour. Many of the pieces were much-loved original antiques, but largely, the costumes were made from scratch.In fact, many pieces were mere fragments of garments where some buttons or lace were salvaged, then the garment remade from scratch and lovingly reproduced.It occurred to me that the design team not only needed bespoke tailoring and costuming skills, but they were also responsible for restoring glorious works of art, so that we the audience could fall in love with these exquisite treasures.Armed with this information, one confused-looking patron still sidled up to me about ten minutes after she entered the exhibition and stated loudly "these dresses are all made in China aren't they?"Me: (goldfish impression).Aside from this stunning display of confused ignorance, it was a remarkable crowd that have passed through Phrynne's doors and I've never seen such an incredibly stylish and knowledgable crowd of gorgeous people gathered in one hot spot.It's the first time any of the three season exhibitions have traveled to Brisbane and considering Miss Fisher's breaking hearts in 120 countries now, I thought it only fair to share the beauty of this exhibition with you.Enjoy.I snuck a selfie in Marion's workshop before morning crowds poured in and most probably before I rapped some poor dear over the knuckles with my steel ruler for touching something she oughtn't have (kidding jeez).I tell you they're a brazen lot our friends of advancing years - I should know!Best question: Is that your own outfit or have you just borrowed something off the mannequins for the day?

So I decided to oblige.
My invitation to colleagues to "cop a feel of the fabrics" went down very well and I'm still smarting from a pinched arse.





Goodnight sweet friends. xoxoxoxoox