Marlene Dietrich, photograph by Edward Steichen
Marie Magdalene Dietrich was born 112 years ago today in Schöneberg, Germany. She died well into her 90th year, in Paris, in 1992, and was by then known the world over as Marlene Dietrich, archetypal superstar of the silver screen as well as the cabaret and concert stage.
As a child, Dietrich contracted her first name, added her nickname (pronounced Layna) and became "Marlene"
I've long been fascinated by the Dietrich persona and have extravagantly enjoyed and admired the seven films she made with Josef von Sternberg, the first for UFA in Germany, the rest for Paramount in the U.S.: The Blue Angel (1930), Morocco (1930), Dishonored (1931), Shanghai Express (1932), Blonde Venus (1932), The Scarlet Empress (1934) and The Devil is a Woman (1935). She has been the subject of several blog entries here.
The Devil is a Woman (1935)
My earliest Dietrich posts for Reel Life were published in a series on the von Sternberg/Dietrich partnership - Light, Shadow and Synergy, Part I, Part II and Part III - a reflection on the films they made together and the nature of their collaboration. I am regularly tempted to revise the whole thing but fear that if I do the series might grow to four, five or even six parts. Recently, though, I came upon this piece by Anne Helen Peterson, a wise, witty and wicked assessment of the fabulous star, and decided to leave well enough alone.
Dietrich in Travis Banton, from her personal wardrobe
"I dress for the image. Not for myself, not for the public, not for fashion, not for men."- Marlene Dietrich
Marlene Dietrich by David Downton
