The bus driver, a cheery man in a Metropolitan
Transit-issued sweater, is rotated through to the #17 on perhaps a quarterly
basis. A smiling, whimsical person, he
brings his whole personality to work.
In accordance with my belief that one does not simply trip
about the streets completely unaware, I am wearing only one earbud.
“Approaching Central, guvnah” he calls.
I blink, grinning, into the gray dawn of a February
morning in Minnesota, a single-digit affair swaddled in natural fibers and,
increasingly, a layer of protective fat, and realize that the bus driver has
just made an announcement in a Cockney accent.
I turn my iPod down significantly.
“Washington Avenue,” he sings. I look around the bus – is that a Carol
Channing impersonation?
But unlike the day that a small child and I were the only
witnesses to a full-grown elephant relieving itself outside of the Target
Center onto a snow bank many years ago, I am alone in my observation.
“Approaching Marquette,” the bus driver stage-whispers,
“and aiming for the Nicollet Mall. Next
stop, the 3, the 14, and let us never forget the 15,” he says darkly, “transfer
point.” I watch him via the rearview
mirror as he shudders in horror.
“Transfer point,” he intones.
A block or two later, and the bus comes to a complete
stop. The front doors open as the
commuting public, still struggling with varying degrees of disbelief regarding
the start of a new work week, mounts the steps, waves bus passes before the
card reader.
“Welcome,” the bus driver says – and is that a Boston
accent now? “Welcome to yuh mawnin’ commute.”