Leguizamo’s Mr. Martinez speaks to this early in “Critical Thinking” by asking why chess is never associated with brown people despite a Latin man playing a major role in its evolution. “Why don’t you think we know about him?” he asks the students in his critical thinking class before delivering a great, pointed monolog that speaks about how history is taught in schools. The script by Dito Montiel has some sharp commentary about the education system, from what gets funded to the over-reliance on test scores to the differences between Martinez’s inner city school and the posh preppy institutions who fall victim to our heroes on the tournament circuit. There’s a bit more bite than you may be expecting, and the writing is just prickly enough to balance out the moments when the film dives headfirst into its tropes. And there are numerous tropes to swim in; not only is this a sports movie, it’s also an entry in the “Beloved Teacher” genre.
Our chess champion team is comprised of Sedrick Roundtree (Corwin C. Tuggles), Ito Paniagua (Jorge Lendeborg Jr.), Gil Luna (Will Hochman), Rodelay Medina (Angel Curiel) and later, Marcel Martinez (Jeffry Batista) who joins the team after dispensing a hustler’s ass-whipping in a speed chess match. Their dialog is peppered with the language the PG-13 won’t allow but realism will. Martinez is often telling them “watch your mouth” in his class, even if, in his less guarded moments, he’s prone to occasional profanity. Leguizamo gets good performances from each of them, especially in moments where you really feel the bond between teammates, both in the tournaments and in the streets. When they tell each other that they’ve got each other’s backs, there’s a real emotional pull that emanates straight from the actors.
Though this is an inspirational movie, Leguizamo and Montiel never sugarcoat the dangers of the environment their characters inhabit. The potential for violence, temporary homelessness, crime, and police harassment are always hovering in the margins, sometimes even invading the safe space of Martinez’s class or the school. An early sequence that shockingly ends in violence shows how good Leguizamo is at quickly establishing the audience’s tie to a character. When Rivera (Dre C) is thrown into critical thinking class after a disciplinary problem (“my class is not detention!” Martinez yells at frenemy Principal Kesler [Rachel Bay Jones]), he immediately runs afoul of Ito. Rivera’s lack of response is due to Spanish being his primary language, which may also have something to do with the infraction that got him sent to this class. Martinez talks to him in Spanish, lectures Ito and all seems well.
