This is the arresting title of an exhibition I saw at the Wellcome Collection. It was a more interesting experience than I had expected, but I am not convinced I would answer ‘yes’ to the exhibition’s opening question.
Do you remember those iconic Silk Cut print adverts from the 1980s?
Well, that’s what the exhibition started with – adverts to be admired for the way in which creativity was used to circumvent restrictions on advertising. This, in effect, is graphic design that brings you closer to the end of your life.
However, after this, the exhibits were centred on communications from the world of healthcare, and not just for patients, but also for would-be medics. The latter was covered by excerpts from text books and teaching manuals which were closer to works of art than academic material, as the below images suggest.
What struck me most about the exhibits of medicines and other health products is the way in which they reflect the best in lowest common denominator communication approaches. The pill boxes below make it very clear what consumer need they are responding to. I have seen a similar approach used by smoothies and herbal infusions, which pitch specific products as the solution for a particular moment, whether it is the search for an invigorating uplift or a soothing experience.
One area getting increasing interest as a way to increase public health is behavioural economics – for example making ‘good’ products easier to get hold of, whether this is about making them more visible or accessible on a shelf, or making the default option the ‘good’ one. Behavioural economics wasn’t mentioned in the exhibition but graphic design could be used in partnership with behavioural design to up the ‘oomph’ factor of a piece of communication or instruction.
And finally, it’s worth noting that it was a refreshing experience to think about paper and packaging which didn’t come alive. If the exhibition was repeated in 10 years’ time, it would be about how augmented and virtual reality can save your life!
Advertisements &b; &b;