Fed up with their do-nothing, self-satisfied union, a trio of autoworkers (Richard Pryor, Harvey Keitel, Yaphet Kotto) decide to rob the safe in their federation's local offices making off with petty cash and a mysterious ledger purporting backroom misdoings. Now, not only do they find themselves as targets, they also see forces pitting themselves against each other. Paul Schrader's Blue Collar strives for authenticity and realism which is achieved through the help of gritty Detroit location shooting, with even some slipshod, hazy elements of the story adding to the overall effect. Pryor is surprisingly exceptional in the lead, Kotto's performance is offbeat and amusing, and Keitel, though inconsistent, really delivers in the finale.
*** 1/2 out of ****
Entertainment Magazine
Fed up with their do-nothing, self-satisfied union, a trio of autoworkers (Richard Pryor, Harvey Keitel, Yaphet Kotto) decide to rob the safe in their federation's local offices making off with petty cash and a mysterious ledger purporting backroom misdoings. Now, not only do they find themselves as targets, they also see forces pitting themselves against each other. Paul Schrader's Blue Collar strives for authenticity and realism which is achieved through the help of gritty Detroit location shooting, with even some slipshod, hazy elements of the story adding to the overall effect. Pryor is surprisingly exceptional in the lead, Kotto's performance is offbeat and amusing, and Keitel, though inconsistent, really delivers in the finale.
*** 1/2 out of ****
