Sarah Waters’ new novel, The Paying Guests, came out last week on 28th August, and of course it was amazing. I was very lucky to be sent an early copy, and also that I managed to nab a ticket to the event held last night (2nd Sept) in Oxford. Sarah Waters was in conversation with Viv Groskop at The Divinity School in the Bodleian Library. I saw Donna Tartt there in October (how could I ever forget THAT?) and it is such a lovely venue. It is not only beautiful, but atmospheric and really cool, being the first teaching room ever built at the University of Oxford (in the 1400s!). It looks like this:
And the event itself was just as lovely. I made notes like a nerd, and I’m actually glad I did as it’s helped me to remember all the things Sarah talked about. It was rather a lot really, and I can’t talk about it all here, but I will mention some of the absolute best things. Yes, in bullet points.
- Sarah’s “kernel” moment when plotting was the question of what would happen if a wife’s affair was with a woman rather than a man. She had been looking at real life crimes of the early twentieth century that were caused by affairs, and she decided to mix things up. And you can’t have a Sarah Waters book without lesbians! (except for The Little Stranger – though someone there might have been a secret lesbian)
- It was crucial that Frances and Lillian really love each other for the story to have depth and, I think, to veer away from sensationalism.
- Her fondness for Frances, and the fact that she, in some ways, belongs to the feminism of the suffragette era – but she is also ahead of her time with her defiance and bravery. This is demonstrated very well through her differences with her mother, and also with Lillian in some ways.
- Class is always a very good way of adding complexity to a historical setting. There were a lot of class shifts in the 1920s and it is a big issue in the novel. Frances was of the last generation of daughters that were expected to stay at home and help (Sarah talked about Vera Brittain giving up her degree to come home and help her parents with housework!), and Lillian is also very tied to her home despite being married.
- The choice of setting. Sarah spoke about how her novels have grown out of each other, and that the 20s was a good halfway point between her Victorian novels and those set in the 1940s – this also meant that in some ways The Paying Guests has a past and a future in the Sarah Waters universe, which I really like.
- Really, the novel is about what happens when ordinary lives are interrupted by passion. In my review I spoke about how the characters are ordinary people made extraordinary, so it was great to hear this! It’s something that Sarah Waters works with to great effect in a lot of her work (with passion, but also tragedy and drama).
I could waffle for hours about how brilliant Sarah Waters is. She is one of the most perceptive and intelligent writers I know, and is very down to earth and likeable. I could have listened to her for a lot longer.
A huge thank you to Blackwell’s and Virago, as well as Sarah Waters and Viv Groskop, for such a fantastic evening.
