One gets an entirely different perspective on reading and writing when one starts doing book reviews. One finds that many of works that have been capturing one’s attention are, in fact, crap in one or more dimensions.
I think about books along five dimensions. I’d like to claim that I synch these five dimensions to the five-star rating system that I inherited from GoodReads, but I don’t. How I rate the book is more subjective than that, though the five dimensions are roughly the basis of my scoring. One will note that most all of my ratings are three through five. This may make it seem like I’m a softy, but it’s because I review what I want to read. By passing the twin threshold of having been started and having been finished, the books I review have generally shown themselves to have some merit in my eyes. I’ve occasionally given a lower rating to a book that was intriguingly bad or deliciously bad—or because it seemed good until the ending was botched. Just know that if someone else were picking my books, my rating distribution would be much more bell-shaped.
So, back to the five dimensions:
1.) Language: For a book to get a five-star score, it’s usually got to impress me with its use of language. Note that I didn’t say “dazzle” me. Authors that try to “dazzle” are as likely to get points deducted for lack of readability. Not that I don’t agree with what Neil Gaiman said, “…, if one is writing novels today, concentrating on the beauty of the prose is right up there with concentrating on your semi-colons, for wasted effort.” Still, I like to find something that intrigues in the use of language. It’s as likely to be successful use of sparseness as it is colorfulness. And, if you’re going to thwart convention, do it artfully and thoughtfully. Incidentally, it’s not just fiction in which I’m looking for creative and intriguing use of language, but it’s more likely to be pursued in that domain.
2.) Organization: In fiction this might be a narrative arc that builds and maintains tension. In nonfiction, it can be narrative, but more likely it’s just a logical arrangement so that the information is easily consumed.
3.) Readability: This is related to the previous items, but it’s not identical to either of them. It’s also hard to define readability except to say that it’s as easy to read and comprehend as it can be and still get the message across. Obviously, some works have a more difficult message to get across, and some works have to be purposefully vague in places. I also grade on a curve or older literature which might be needlessly purple, but right for its time. However, writing is always and everywhere and act of communication and, therefore, the clearer one can be the better. If I can read through once and not have to go back to figure out what’s going on because of what seem like conflicts, I’m usually pleased.
4.) Uniqueness: Sure, there’s nothing new under the sun, but if you’re the four millionth teenage vampire novel, good luck getting my attention. That’s not to say that any hackneyed-looking concept can’t be done up with new and interesting specifics. Unless you have a James Patterson-like sweatshop of writers in your basement, you’re not going to catch the latest fad while it’s still a fad so give it and think creatively. It’s like they say about taxi drivers and stock market advice. You know when to sell a stock when a taxi driver gives one a hot tip to buy it.
5.) Thought-provocation: This is simply, does the book offer food for thought. This applies not only to nonfiction works that are trying to inform. A novel, too, is hard pressed to get a five-star rating unless it makes me go “huh” about something.
It’s worth pointing out that I use GoodReads as my platform for building reviews. I use it because it’s very simple. One drops the review into a box and, when one publishes it, the cover photo and hyperlinked title and author are right there without ever having to mess with finding a photo of the book jacket or deal with building links. They also have a quick-study guide to the html code one may need for font manipulation and so forth. I do write the reviews in Microsoft Word and paste them into the GoodReads form because I’ve been twice bitten with accidently pushing some random combination of buttons that irrevocably deletes my post—inevitably as I’m putting the final edits on it.
By B Gourley in Book Reviews, Books, Literature, Writing on February 3, 2014.
