Steven
Soderbergh gives us a nice, tightly bound, suspense drama in his multi-starrer
Side Effects. The film stands out for having a more subtle approach to this
plot in-place of being a fast paced thriller that would have certainly made it more
commercial, but simultaneously less intense at the end.
Side Effects
is a psychological mystery that revolves around Emily Taylor, played
brilliantly by Rooney Mara, who is accused of murdering her husband Martin
(Channing Tatum) while on medication prescribed by her psychiatrist Dr.
Jonathan Banks (Jude Law). The main leads in the film give an outstanding
performance, which is somewhat restrained by the lacklustre performances of
Channing Tatum and Catherina Zeta-Jones who plays Emily’s previous psychiatrist.
Nevertheless, the plot-line is such that it slowly and methodically presents the
clues to both the characters and the audience, never truly giving away the suspense
and thus keeping the interest level at a high.
The film does have
a similar feel to it as some previous psychological suspense dramas like Primal
Fear or even Wild Things, but it really stands its own ground primarily because
the story throws so many red herrings throughout its running time, that it
becomes truly a guessing game as to what the outcome will be. Here again, at
the end, the director could have gone one of many ways with the final “twist”
and each would have been satisfactory, but the fact that he prefers a rather
unconventional end, for a film like such, is quite out of the box. You may say
that the final shock value lies in the fact that there is no shock value, but
that does not mean the film falters here, on the contrary it proves to be
quite enjoyable.
In a world where
we are regularly spoon-fed the smallest of details, Side Effects comes across
as an intelligent film that challenges the audience and takes them on a ride
into the realms of a few twisted human minds.
Rating 4/5