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Review: The Table (Blind Summit Theatre at Chicago Shakespeare)

By Chicagotheaterbeat @chitheaterbeat

Review: The Table (Blind Summit Theatre at Chicago Shakespeare)   
  
The Table

Devised by the Company
Directed by Mark Down 
Chicago Shakespeare at Navy Pier (map)
thru Oct 27  |  tickets: $20-$35   |  more info
  
Check for half-price tickets 
  
  
   Read review
  


  

  

one puppet + one table = adorable

     

Review: The Table (Blind Summit Theatre at Chicago Shakespeare)

  

Blind Summit presents

  

The Table

Review by Katy Walsh 

Chicago Shakespeare Theater kicks off this season’s World’s Stage Series with The Table, a Blind Summit production from the United Kingdom.

Review: The Table (Blind Summit Theatre at Chicago Shakespeare)
The Table is a show about a puppet on a table. Using the traditional Japanese Bunraku style of puppetry, three performers manipulate a two foot puppet named Moses. The puppet’s body looks like a naked Dobi from the “Harry Potter” movies. His face is an oversized cardboard type tribal mask. The three handlers are so synchronized in their handling of Moses that he appears alive. Sean Garratt is his right hand and bum. Irena Stratieva is his two feet. And Mark Down is his head, his left hand and his voice. The show is a combination of part improvised and part scripted. The threesome is wonderfully in sync. As Down says the words out loud, the other two are mimicking the words with silent lip reading and puppet gestures. The illusion brings Moses to life – so much so that I expect to see the puppet unmask, revealing a small man at the curtain call.

The show is a series of bits that centers around Moses having an existential crisis. He announces repeatedly, “I’m a puppet and this is a table.” It’s cute. And Moses is adorable! The skill of the puppetry is impressive feats of coordination. And the shtick is amusing. It just continues in the same vein. The show is about a puppet on a table. Moses measures out the size of the table, length, width, corner to corner. Again, it’s cute, but it gets old. By emphasizing the mundane, the comedy gets humdrum, even when delivered by an adorable puppet.

At one point, an audience member is recruited to help. Her efforts, I suspect planned, inject an unexpected twist of events. It’s charming, and the reaction of the performers seems at least partially impromptu. There is a level of fun just watching the puppeteers enjoying performing together. Down, in particular, takes great pleasure in trying to get Garratt to crack up laughing. Their camaraderie, as one entity yet independent parts, makes for an even more enjoyable frolic.

The Table is a show about a puppet on a table. If you enjoy your existential crisis with simplicity, humor and adorability, you’ll want to get a seat at The Table.

  

Rating: ★★★

  

  

The Table continues through October 27th at Chicago Shakespeare Theater, at Navy Pier, 800 E. Grand  (map), with performances Tuesdays-Fridays at 8pm, Saturdays 3pm and 8pm, Sundays 3pm.  Tickets are $20-$35, and are available by phone (312-595-5600) or online through their website (check for half-price tickets at Goldstar.com). More information at ChicagoShakes.com.  (Running time: 70 minutes, NO intermission)

Review: The Table (Blind Summit Theatre at Chicago Shakespeare)

Photos by Lorna Palmer and Xue Qian


     

artists

cast

Mark Down, Sean Garratt, Irena Stratieva

behind the scenes

Mark Down (director, co-devisor), Nick Barnes (puppet artist, co-devisor), Sarah Calver, Sean Garratt, Mabel Jones, Irena Stratieva, Ivan Thorley (co-devisors), Lemez and Friedel (music), Richard Howell (lighting), Andrew Dawson (artistic consultant), Stephanie Hay (producer), Lorna Palmer, Xue Qian (photos)

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