Culture Magazine

Opera Review: A Conspiracy of Voices

Posted on the 17 November 2012 by Superconductor
The Met presents La Clemenza di Tito.
by Paul J. Pelkonen
Reposted from The Classical Review.

Opera Review: A Conspiracy of Voices

Crumbling majesty: Giuseppe Filianoti as Titus in La Clemenza di Tito.
Photo by Ken Howard © 2012 The Metropolitan Opera.

On Friday, the Metropolitan Opera opened the second of three Mozart revivals this month with La Clemenza di Tito. This performance featured a strong young cast dominated by Giuseppe Filianoti in the title role and the flexible mezzo of Elina Garanca as Sesto, the best friend of the Roman emperor Titus turned would-be assassin.
Read the whole review by Superconductor's own Paul J. Pelkonen, exclusively on The Classical Review.


You Might Also Like :

Add a comment Report spam/abuse Print this article Share on Facebook See the original article
Back to Featured Articles on Logo Paperblog

These articles might interest you :

  • San Fran Chamber Opera Offers Contemporary Double Bill This Weekend

    Have you heard of Opera Parallèle? It is a young San Francisco company bringing high level performances of contemporary operas to the Bay Area (at great... Read more

    The 26 April 2013 by   Galegirl
    CULTURE, THEATRE & OPERA
  • Opera Review: Out Comes the Evil

    New York City Opera presents The Turn of the Screw. by Paul J. Pelkonen Benjamin P. Wenzelberg (seated), Sara Jakubiak (standing) and the cast of Star Warsin... Read more

    The 27 February 2013 by   Superconductor
    CULTURE, THEATRE & OPERA
  • Opera Review: Cheaters Never Win

    The Met goes medieval with Zandonai’s Francesca da Rimini. by Paul J. Pelkonen Purple prose: Marcello Giordani (l.) and Eva-Marie Westbroek are doomed lovers... Read more

    The 05 March 2013 by   Superconductor
    CULTURE, THEATRE & OPERA
  • Opera Review: Changing of the Guardians

    Parsifal at the Met: Redux. By Paul J. Pelkonen My man Gurnemanz. Rene Pape (left) dresses Jonas Kaufmann in Act III of Wagner's Parsifal.Photo by Ken Howard ©... Read more

    The 06 March 2013 by   Superconductor
    CULTURE, THEATRE & OPERA
  • Opera Review: The Ways and Means to New Orleans

    Patrica Racette sparkles in Washington's Manon Lescaut. by Paul J. Pelkonen Her just deserts: Patricia Racette in the last scene of Manon Lescaut. Photo by Scot... Read more

    The 12 March 2013 by   Superconductor
    CULTURE, THEATRE & OPERA
  • Opera Review: Out Comes the Evil

    New York City Opera presents The Turn of the Screw. by Paul J. Pelkonen Benjamin P. Wenzelberg (seated), Sara Jakubiak (standing) and the cast of Star Warsin... Read more

    The 03 March 2013 by   Superconductor
    CULTURE, THEATRE & OPERA
  • Opera Review: Where's the Kaboom?

    The Met revives Dez McAnuff's “atomic age” Faust. by Paul J. Pelkonen Failure to detonate: Piotr Beczala (left) and John Relyea confer over a nukein Act V of th... Read more

    The 22 March 2013 by   Superconductor
    CULTURE, THEATRE & OPERA

Add a comment