I recently finished making my way through Al Stump’s biography on Ty Cobb, simply titled Cobb: A Biography. I am aware of the criticism this book has received — Stump, it seems, went out of his way to cast Cobb in a less-than-flattering light, even embellishing or making up stories as he did so. Nevertheless, I found this biography intriguing.
Al Stump had actually ghostwritten Ty Cobb’s autobiography, My Life in Baseball: The True Record. According to Stump, Cobb was far from being an easy individual to get along with, and there seems to be a consensus that Cobb’s autobiography had been sanitized considerably in order to paint Cobb in a better light. Stump claimed that his motivation for writing this biography after Cobb’s death was to share his own perception of the Georgia Peach. That being said, while it is widely-accepted that Cobb had many faults, this book reads like a revenge. In fact, the original title of this book, when it was first published in 1994, was Cobb: The Life and Times of the Meanest Man in Baseball. The current title actually belongs to a reworked and expanded edition of the book, published in 1996 after Stump’s death.
As a man, Stump paints Cobb as extremely combative, impossible to please, and unreasonably demanding. Clearly, Cobb’s life was a tortured one, what with the strange circumstances surrounding his father’s death when Cobb was still a young man, and his displeasure with the hand dealt him came out in his racism and in how he treated his own wife and children. On the other hand, Cobb the baseball player had an unmatched work ethic, demanding the best of himself as well as of those who played around him. Stump put a lot of focus also on the rivalry between Cobb and Babe Ruth, but in spite of the animosity between the two men, I also sensed a grudging respect between the two. In addition, Stump spent a lot of time exploring Cobb’s business ventures, investments, and his talent for making money.
As a reader, I confess to enjoying the journey through this book. The character of Cobb, as depicted in these pages, is a fascinating one. And while many of the stories in said pages have been discredited, no doubt their presence in the book is part of what makes it so fascinating. I have yet to read Cobb’s original autobiography, and while I’m at it, Charles Leerhsen’s 2016 biography, Ty Cobb: A Terrible Beauty, is also on the to-read list. It seems to me that one simply cannot read one without also delving into the other two — at least, not if one wants a truly well-rounded picture of the great Ty Cobb.