I recently had the opportunity to discuss publishing to a room full of academics. (Ooo, I can feel the envy rising already!) Although I discuss books quite frequently on this blog, I generally don’t discuss publishing much. One of the reasons is that publishing isn’t easy to tie into religion sometimes. Another—and this may be the bigger factor—is that publishing is work. This blog, which is technically a form of publishing, is more for letting my mind wander outside the paddock after being penned in at work for too much of my adult life. Still, I’m glad to give publishing advice for those who want it.
The focus of these talks (of which I’ve given precisely two) is how to get published. My main approach to this question is to point out that higher education and publishing are diverging rapidly. The reasons for this are complex, but simply put, publishers need to make money. Having been on the receiving end of tuition statements for a good deal of my life, I have no doubt that institutions make ready money. They may have trouble meeting the costs of all those administrators for whom they keep creating positions, like any good business, so each semester the bill creeps up a bit until suddenly you realize your bank account’s empty and you’d better get to commissioning some more academic books. After all, this is all about money, is it not?
Like many in higher education, I courted academia as a hopeless romantic. I believed that love of subject and ardent devotion with ample proofs of said love would woo the academy into a permanent relationship. I’ve always been an idealist. Now I’m on the side of the desk where colleagues approach me to ask favors. It’s kind of like The Godfather, really. Only those who kiss Don Corleone’s ring tend to do so knowing that favors require some kind of reciprocity. The academy may not welcome you but would you mind helping us out now that you’re in a position to do so? No fear of horse heads here. Perhaps by now you understand why I don’t write much about publishing on this humble little blog. The focus of The Godfather, after all, is really young Michael Corleone and his devolution from an upstanding citizen (shall we say “academic”?) to a mafia crime boss. I’ll leave the other side of the equation blank. Trade secrets, after all, are worth money.