Many popular artists over the years, I would contend, have struck that familiar chord. Anyone who reads the Psalms at face value will find it hard to miss the angst of the writer who tries to do right only to find that s/he needs someone to “take them to church.” Music is the confessional of the soul. Psalms can be a most secular book. The way some biblical scholars like to explain it is that the Torah and the prophets are God speaking to (read “commanding”) people, and Psalms are the opportunity of people to speak their mind to the divine. This might explain the otherwise inexcusable anger that pours out in invective which, if we’re honest, we’ll have to admit to having felt from time to time.
The line we draw sharply between sacred and secular is attenuated in the Psalms. In fact, it is in any honest religion. When religions present themselves as strictly lived as if people could be truly righteous while others should be excluded, trouble is on the horizon. Pictures get torn up, and the “faithful” grow angry. I know few who would argue that humans are perfect just the way we are, yet, for the most part, we try to do what is right. The standards any religion proffers are too high, and we are bound to fail. Perhaps the saving grace, if I may borrow a bit of religious language, is that even the secular can write effective psalms along the way.